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An often enjoyable novel with surprising turns.

Awards & Accolades

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In Brandon’s thriller, a logical FBI agent teams up with an intuitive psychic to find a kidnapped child in a case that may be connected to a decades-old case.

It’s 1989, and Ryan Cornell has been on desk duty at the bureau’s San Francisco branch since an abduction case he was investigating went horribly wrong six months prior, resulting in a woman’s death. Now, the same kidnapper, Thomas Jackson, has returned, this time victimizing Steven Taylor, an 11-year-old. Steven’s wealthy grandfather Jake insists that the FBI bring psychic Annie Johnson into the investigation. Cornell’s and Johnson’s opinions about the supernatural may clash, but they agree that rescuing Steven is their top priority. As the case continues, Johnson has visions of a past life in 1906, during which her own child was kidnapped. That long-ago case illuminates the present one, but time is ticking away, as the kidnapper has given Steven’s family a deadline of 24 hours to deliver a $50 million ransom or else he’ll murder the boy. But Jackson, a Vietnam vet, also wants fame and fortune, and he’s willing to do anything to get it. Working with him is Mai King, a ruthless, lawless woman: “This was going to be a good partnership,” Jackson thinks at one point. “If not, he could always kill her.” The cast of characters in Brandon’s thriller is eclectic: Cornell and Johnson’s interactions as skeptic and believer are fun and engaging, and Jackson is a remarkably complex villain. However, other minor characters feel underdeveloped, and some dialogue feels a bit forced and unnatural. There are also numerous points when the story stops dead to provide exposition, slowing the brisk pace. However, the author wonderfully weaves the 1989 and 1906 storylines together, effectively developing the twisty plot.

An often enjoyable novel with surprising turns.

Pub Date: Feb. 16, 2022

ISBN: 979-8410690003

Page Count: 292

Publisher: Self

Review Posted Online: May 16, 2022

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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