Lively, giggle-producing proof that imaginative play is just as good as getting to the moon.
Having previously opened a toast restaurant (I Am Otter, 2014), an otter ups the ante and shoots for the moon.
When Otter Keeper takes Otter and Teddy to a museum, they see moon rocks, NASA models, simulated spaceship controls, and a video about the moon. At the gift shop, Otter is “forced to make some very difficult decisions.” She gets a new toy spaceship but not a moon rock, so the next day, when Otter Keeper goes to work, Otter hatches a plan: “Teddy and I [will] get our moon rock from the same place the museum did: the MOON!” As she builds space suits (using glue, boxes, galoshes, and a scuba mask) and puts Teddy through rigorous “antigravity training” in the dryer, Otter’s hilarious narration never acknowledges that this isn’t a real trip—nor that Teddy and the other participants are stuffed animals. Otter herself is a delightful amalgam of pet (staying home alone when Otter Keeper, an adult human, goes to work) and child (drinking from a juice box and riding in a car seat). From “mishun control” to launch and liftoff, Garton’s bright, shiny digital illustrations are full of sparkle and humor. Even a sudden progression from spot illustrations to a full double-page spread is funny.
Lively, giggle-producing proof that imaginative play is just as good as getting to the moon. (Picture book. 3-6)Pub Date: May 5, 2015
ISBN: 978-0-06-224776-6
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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