This one’s a real treat.
Halloween is coming, and Otter is taking the holiday quite seriously, picking out the best pumpkin, choosing an appropriately scary costume, and thoroughly decorating the house—but when trick-or-treaters come, she is in for an unexpected surprise.
Fans of Otter’s previous titles will certainly celebrate her autumn return (Otter in Space, 2015, etc.). Just like any young tyke who is excited about Halloween, Otter marks the date on the calendar, enlists her (stuffed animal) friends to help her prepare, and often takes things a bit far due to her abundant enthusiasm. In one humorous series of vignettes, she decorates everything she can reach with cobwebs, including Otter Keeper’s leg, and dumps a whole container of glitter on her magical broomstick. Even when things don’t turn out the way she would like, her innovative resolve inspires, as when Giraffe wants to dress up like a fairy. “He wasn’t really taking Halloween seriously. Everyone knows fairies aren’t scary. So I added some teeth.” After practicing at being scary with Pig, Otter and her cuddly buddies, Giraffe and Teddy, seem ready—until the doorbell rings. The costumed kids at the door prove a bit too scary for dear Otter. But wise (adult human) Otter Keeper chats with her and Pig, and they come up with a crafty solution. Garton pairs his charming story with funny details in the bright digital illustrations that only make a great book even better.
This one’s a real treat. (Picture book. 4-8)Pub Date: July 1, 2015
ISBN: 978-0-06-236666-5
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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