Required reading for all young children taking their first ventures into the wide world beyond immediate parental reach.
Little Nutbrown Hare bravely ventures out to the Far Field and back in four sweet new outings illustrated “in the style of” Anita Jeram.
With Big Nutbrown Hare still in attendance, Little Nutbrown nerves himself for a bit of climbing after his favorite Hiding Tree falls in a storm. He is also (very) briefly lost in fog on Cloudy Mountain, and he finds an interesting burrow in distant Far Field (but heeds his inner voice’s warning that dark holes are dangerous). Finally, he invites Big Nutbrown to guess his favorite place as the two are “wandering home at the end of the day.” Complementing McBratney’s mastery at capturing the feelings and concerns of toddlers in words, Wagner and Tarbett channel his original illustrator in posing sinuously drawn characters, alone and together, in ways that subtly but clearly express joy, anxiety, excitement and curiosity. Most strongly of all, they capture the intimate attachment that lights up all of the Hares’ appearances from Guess How Much I Love You (1995) on. Low tufts of wildflowers and other foliage backed by thin washes of pale greens and blues create a properly idyllic natural setting. Despite some unfortunate Americanizations and a picture of flying insects that are confusingly called "daddy-long-legs," this book is still close to sublime.
Required reading for all young children taking their first ventures into the wide world beyond immediate parental reach. (Picture book. 2-5)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-5896-0
Page Count: 72
Publisher: Candlewick
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s nothing new, but it’s also clearly heartfelt.
A love song from parents to their child.
This title will seem quite similar to the many others about parents’ deep love for their children. The text is wholly composed of first-person declarations of parental love, and it’s juxtaposed with illustrations of the child with one or both parents. It’s not always clear who the “I” speaking is, and there are a few pages that instead use “we.” Most sentences begin with “I love you more” phrasing to communicate that nothing could undermine parental love: “I love you more than all the sleepless nights…and all the early, tired mornings.” The accompanying pictures depict the child as a baby with weary parents. Later spreads show the child growing up, and the phrasing shifts away from the challenges of parenting to its joys and to attempts to quantify love: “I love you more than all the blades of grass at the park…and all the soccer that we played.” Throughout, Bell’s illustrations use pastel tones and soft visual texture to depict cozy, wholesome scenes that are largely redundant of the straightforward, warm text. They feature a brown-haired family with a mother, father, and child, who all appear to be white (though the father has skin that’s a shade darker than the others’).
It’s nothing new, but it’s also clearly heartfelt. (Picture book. 2-4)Pub Date: Aug. 14, 2018
ISBN: 978-1-4998-0652-6
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
Who knew that turning the pages could be the best part of a book?
The concept of this picture book is simple enough: 10 birds topple, slip, and dive their way off the titular twig until there is one left. The text itself echoes familiar singsong-y children’s rhymes like “Five Little Pumpkins.” While it mostly succeeds, there are some awkward spots: “5 on a twig, there used to be more… / SNAP! Don’t say a word, now there are four.” (On each page the number is both spelled out and represented as a numeral). The real scene stealer, however, is the book’s interplay between Cole’s illustrations and the physical pages themselves. In much the same way Eric Carle utilizes the pages in The Very Hungry Caterpillar to show the little critter eating its way through the week, Cole uses pages of increasing width to show how the twig grows shorter as each bird falls and marches off purposefully with the others, all headed toward verso with pieces of twig in their beaks. Stylistically, the book is captivating. The very colorful, egg-shaped birds appear on a single, thin black line on a stark white background. This backdrop stands in powerful contrast to the book’s final two pages, which are set against black negative space, a theme echoed in the book’s feather-print endpapers. The heavy, thick pages make it easy for little hands to participate. The text takes a back seat to the playful and compelling design, which is sure to delight readers.
Who knew that turning the pages could be the best part of a book? (Picture book. 2-4)Pub Date: Sept. 1, 2020
ISBN: 978-1-72821-593-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
