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SEVEN EMPTY HOUSES

Seven compelling explorations of vacancy in another perfectly spare and atmospheric translation.

Empty homes, emptied lives, and emptying memories: Life's—particularly family life's—many emptinesses and emptyings abound in this ethereal collection.

Although its original Spanish publication preceded that of Little Eyes (2020), the author’s most recent translation into English, this collection may feel like a progression from McDowell's translations of Schweblin's other works, which dwell more squarely in the fantastic and the speculative, often pushing into nightmare territory, and into a quieter, more human-centered and realism-bound world—though one thrumming with just as much eerie tension, as Schweblin evokes the uncanny in the human rather than placing the human in the uncanny. In “None of That,” a woman finally discovers an appreciation for her mother's unusual pastime. In “My Parents and My Children,” a man confronts an uncomfortable situation he has been drawn into with his ex-wife and her new boyfriend when she asks him to bring his probably unsound and decidedly nudist parents to visit their children at a rented vacation home. A neighbor considers what might be driving a recurring cycle in “It Happens All the Time in This House,” where the woman next door throws her late son’s clothes over their fence and her husband comes, unfailingly, to retrieve them. “Breath From the Depths,” the collection's emotional pinnacle, introduces Lola, a paranoid and housebound elderly woman who's outlasted her will to live and her capacity to do anything about it, as her memory empties alongside the contents of her home. “Forty Centimeters Squared” finds an unnamed woman, after moving away to Spain, returned to Buenos Aires, her belongings packed in a storage unit and with no home to call her own. “An Unlucky Man” follows a girl whose younger sister’s antics have resulted in a trip to the hospital, where she is forgotten and ignored until she meets the unluckiest man in the world in the waiting room, who takes her on a birthday adventure that ends badly but might easily have ended even worse. And, finally, in “Out,” a woman steps out of the morass of what appears to be a failing relationship and, for a moment, into new possibilities, guided by a mysterious maintenance man who claims to have been fixing her building's fire escape—a self-described escapist.

Seven compelling explorations of vacancy in another perfectly spare and atmospheric translation.

Pub Date: Oct. 18, 2022

ISBN: 978-0-525-54139-4

Page Count: 208

Publisher: Riverhead

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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SEEK IMMEDIATE SHELTER

A quietly profound debut that asks what we would really do if we believed we would die within the next few seconds.

The end of the world is nigh—or is it?

Cellphones all over the small Western Massachusetts town of Beckitt light up with the terrifying announcement of an incoming ballistic missile, propelling some of the town’s citizens into radical action and leaving others frozen helplessly in place. After it turns out to have been a false alarm, the fallout of those first brief moments may, in some ways, prove almost as devastating as the disaster itself would have been. Yu’s debut novel follows many characters through the time before and after that life-changing moment. Some of the characters are closely related; others come together briefly by chance, but each, in their own way, is indelibly affected by that fateful day. Among them: a mother, struggling with a secret, impetuously texts her daughter something that might cause irreparable damage. A music-school dropout and budding bluegrass musician is starting to feel he has nothing to live for when a chance encounter with a kindly server at the Anchor Grill might turn his fortune around. Across town, a normally responsible husband and father acts out of instinct, convincing his wife she’s seen his true colors and may never be able to forgive him. In the midst of the rippling effects of that choice, the man—who has spent his entire career at the PR firm his father founded—desperately grasps for a narrative that will hold his once-picture-perfect life together. For some of the characters, it’s a dramatic action that changes everything; for others, it’s the failure to act. The novel twists and turns into the private and public lives of the characters, offering a quirky, often funny, and sharply rendered peek into small-town life and the moments, large and small, that ripple out beyond our horizon of perception.

A quietly profound debut that asks what we would really do if we believed we would die within the next few seconds.

Pub Date: May 5, 2026

ISBN: 9781250410122

Page Count: 304

Publisher: Flatiron Books

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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EVERYTHING WAS BEAUTIFUL AND NOTHING HURT

An evocative, kaleidoscopic affirmation of life from the perspective of Death.

The personification of death stumbles on companionship in the small British city where he lives, as he continues standing sentinel beside people in their last moments.

Narrator Travis Smith is “inside everything”—ebullient mayflies, skittish deer, and the people around him. He’s privy to how long they’ll live and to every intricacy of their lives, his job to stand witness to people’s dying moments. He’s never challenged this role, even as the ever-present noise sometimes overwhelms him. But Travis finds his isolated, detached life disrupted by Dalia, a midwife, and her two young daughters, who live in the flat across the hall. Through them, he unintentionally becomes a participant in life in a new way. The novel captures the seemingly contradictory idea of beauty in scenes of pain. The violence of a car crash is juxtaposed with the natural world surrounding it, the banality of everyday life continuing even as one life stops. This tension is woven throughout, as readers glimpse Travis’ work as a witness to people’s dying moments. In short passages in which Travis describes a person’s end and salient events in their life, we see a well-etched character for whom death can be relief, terror, or perhaps the ultimate injustice. Author Reeves has a keen eye for the salient detail, making the reader become emotionally invested in characters seen only briefly. As Travis’ narration moves from his work to the quiet yet increasingly meaningful time he spends with his neighbors, it illuminates a microcosm of the cycles of life and death, as glimpsed through the natural world and scenes with community members. Conversations feature crisp dialogue and moments of silence that emphasize how loss and grief can’t always be articulated and comfort can’t always be given. As Travis’ relationships with his neighbors grow, his sense of himself as a person outside his role also evolves, and his job begins to burden him emotionally. Through Travis, we see the beauty of love and small moments of companionship and connection, all the more powerful for the fact of life’s brevity and unpredictable end.

An evocative, kaleidoscopic affirmation of life from the perspective of Death.

Pub Date: July 7, 2026

ISBN: 9781668216361

Page Count: 256

Publisher: Avid Reader Press

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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