Mabry’s mix of magical realism and dystopia doesn’t live up to its promising start.

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ALL THE WIND IN THE WORLD

In a dangerous, post-apocalyptic America, Sarah Jac and her boyfriend, James, keep their relationship a secret as they work at a mysterious farm.

After environmental collapse, the western half of North America is desert. Seventeen-year-old Sarah Jacqueline Crow, aka “Sarah Jac” (who’s mixed-race), and fellow orphan James Holt (who’s white) specialize in picking the maguey plant for violent overseers and profit-hungry ranch owners whose harvests turn into pulque, mescal, and tequila. After a fatal accident during a dust storm, Sarah Jac is accused of murder, and the two stow away on a train that leads them to the Real Marvelous, a ranch in Texas that’s rumored to be cursed. To protect themselves, Sarah Jac and James pretend to be cousins, fearing that if they’re open about their love, they’ll expose themselves to blackmail or worse. Soon, Sarah Jac is commanded to provide equestrian lessons to the owner’s younger daughter, Bell, while James is commissioned to work in the big house as a groundskeeper—and ends up catching the eye of Bell’s sickly but beautiful older sister, Farrah. A complicated series of plagues, prophecies, and love triangles ensues. The author’s prose is rich and lyrical, but the worldbuilding is lacking, leaving readers wondering about details rather than immersed in the story. In a reverse of most romantic story arcs, the love story goes from initially swoonworthy to deeply unsatisfying.

Mabry’s mix of magical realism and dystopia doesn’t live up to its promising start. (Science fiction. 14-17)

Pub Date: Oct. 10, 2017

ISBN: 978-1-61620-666-6

Page Count: 288

Publisher: Algonquin

Review Posted Online: Aug. 2, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Best leave it at maybe so.

YES NO MAYBE SO

Two 17-year-olds from the northern suburbs of Atlanta, Georgia, work together on a campaign for a progressive state senate candidate in an unlikely love story.

Co-authors Albertalli (Leah on the Offbeat, 2018, etc.) and Saeed (Bilal Cooks Daal, 2019, etc.) present Jamie Goldberg, a white Ashkenazi Jewish boy who suffers from being “painfully bad at anything girl-related,” and Maya Rehman, a Pakistani American Muslim girl struggling with her parents’ sudden separation. Former childhood best friends, they find themselves volunteered as a team by their mothers during a Ramadan “campaign iftar.” One canvassing adventure at a time, they grow closer despite Maya’s no-dating policy. Chapters alternate between Maya’s and Jamie’s first-person voices. The endearing, if somewhat clichéd, teens sweetly connect over similarities like divorced parents, and their activism will resonate with many. Jamie is sensitive, clumsy, and insecure; Maya is determined, sassy, a dash spoiled, and she swears freely. The novel covers timeless themes of teen activism and love-conquers-all along with election highs and lows, messy divorces, teen angst, bat mitzvah stress, social media gaffes, right-wing haters, friendship drama, and cultural misunderstandings, but the explicit advocacy at times interferes with an immersive reading experience and the text often feels repetitious. Maya’s mother is hijabi, and while Maya advocates against a hijab ban, she chooses not to wear hijab and actively wrestles with what it means to be an observant Muslim.

Best leave it at maybe so. (Romance. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-293704-9

Page Count: 448

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 17, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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