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VILLAINS

A smart, tight set of stories that examine its characters’ faults and insecurities with harsh precision.

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Neugebauer’s short story collection shines a light on disaffected, discontented, and alienated characters who live their lives on the fringes of society.

These 13 tales feature unconventional narrators who are struggling in relatable circumstances. François, the narrator of the first story, “Uncertain Times,” takes in his niece, Mona, when her depressed mother—his sister, Valerie—enters a sanitarium. François is in a financially precarious situation and lives in a poor neighborhood in Baltimore, but he works hard to enjoy life with his niece (“Before Mona, to be honest, I wasn’t a guy drowning in plans”) and to cultivate a burgeoning relationship with Trish, a recovering addict who works at the local Potbelly. Other protagonists, truer to the book’s title, harbor a dissatisfaction toward their fellow human beings that borders on rage. After Mandy in “Where Is Melvyn Bragg?” is stood up by a co-worker, she allows her resulting anger to fester and color every interaction. She also imagines a conspiracy of hatred toward her that only fuels her inability to make lasting friends. By contrast, two interconnected stories, “One Other Summer I” and “One Other Summer II,” focus on a young girl, Ashley, who’s desperate for connection. She watches her older brother gain his own sense of self outside of their family and yearns for that same independence as she waits desperately for her crush to log onto AOL Instant Messenger and curates her contact lists and away messages. For people of a certain age, these small details will spark feelings of nostalgia and sentimentality.

In most of these stories, Neugebauer displays a talent for crafting characters who feel real—like someone you know, or, often, someone you wish you didn’t know. Many of the people occupy an uncertain place in society, due to economic struggles that feel timely and genuine; they might once have been considered middle class but now hover closer to poverty. Although the collection shies away from physical violence, a sense of dread and tension hovers over every story, as in one of the most affecting, “Sachi & the Yurt,” in which a girl who longs to find a sense of belonging lies to her outcast sister and denies her the chance to have a last moment with their dying father. The author manages to portray such cruelty with empathy, which makes for an exciting read. That said, not every story in the collection is equally as penetrating. “Museum of the Future,” in which a nonreligious expatriate living in Dubai struggles to define her relationship with a Muslim man in a rapidly modernizing city, feels hazy compared to some of the crisper narratives; the characters’ motivations remain just out of reach, perhaps because their financial situation is so much more stable than those of most other characters in the book. Still, such moments don’t detract from the joy of reading the collection, and of recognizing various aspects of the tales in one’s own life. A smart, tight set of stories that examine its characters’ faults and insecurities with harsh precision.

Pub Date: Jan. 26, 2027

ISBN: 9781941551585

Page Count: 270

Publisher: Washington Writers' Publishing House

Review Posted Online: Aug. 25, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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