A timely story about silence as complicity, defending freedom, and the courage to fight against hate.
Reeling from her father’s sudden abandonment of their family, Noor’s mother moves her family to a small Illinois town far away from their life in Chicago.
Noor hopes to lie low and finish out the last quarter of her senior year, but she and her younger sister, Amal, are noticeably among the few Indian American and Muslim students at school. Once Noor learns that the school district has removed over 500 challenged books from the library shelves and slated them for committee review—mostly ones by marginalized writers—she feels compelled to act. She and her like-minded new friends protest by reading aloud from these books in public spaces. They also put up a “fREADom Library” (or Little Free Library for censored books), spreading the word on social media and encouraging others to join in. Their activism angers school administrators, students, and the local community. Along with their personal trauma, Noor’s family must also deal with veiled threats, racist and Islamophobic slurs, and physical violence. The story centers on the hot-button issues of book banning and freedom of speech, while also exploring family dynamics, forging friendships, and a budding love triangle. Although the pacing is at times weighed down by the content, Ahmed inventively uses different formats—social media comments, news articles, transcripts of television broadcasts—to examine the racist ideologies and talking points behind censorship efforts.
A timely story about silence as complicity, defending freedom, and the courage to fight against hate. (author’s note, resources, bibliography) (Fiction. 12-18)Pub Date: May 7, 2024
ISBN: 9780316547840
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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