An engrossing and historically grounded yarn.
Marquis’ (The Fourth Pularchek, 2017, etc.) historical novel, based on a true story, aims to rehabilitate the pirate Blackbeard, delivering a wealth of information about his era and place in history.
Edward Thache Jr., better known as the notorious, larger-than-life “Blackbeard,” was a British naval officer–turned–privateer and pirate. He and his fellow pirates, ardent Jacobites, hated the German interloper, George I, and the whole British establishment. Contrary to government propaganda of the day, Blackbeard was quite civilized—although, by design, he cultivated a very fearsome mien. This tale, beginning in 1715, shows how he preferred to simply approach a ship and terrify its captain and crew into surrendering; remarkably, this almost always worked. Meanwhile, Blackbeard’s nemesis, the odious Alexander Spotswood, lieutenant governor of Virginia, was determined to put an end to the pirate by whatever means. The protagonist’s beautiful love interest, Margaret of Marcus Hook, is a key element in the story, and other real-life historical characters in this densely populated book include Caesar, a slave that Blackbeard rescued and made his right-hand man; Stede Bonnet, successful Barbados planter–turned–hapless freebooter; and Black Sam Bellamy, a young hothead who saw pirates like himself as Robin Hood figures. Marquis writes quite well, but his real contribution with this book is historical, as the age of piracy was remarkably short, and Blackbeard’s turn on the stage was only two years: 1715 to 1717. The book’s subtitle, The Birth of America, is intriguing, and Marquis shows it to be more apt than one might suppose. A pirate ship, as he portrays it here, was a true democracy in many ways. He also shows how the colonists, many of whom had been born in the New World, had begun to identify themselves as American, not British; they were very ambivalent about the pirates, whom many saw as heroic figures. Overall, this is a thoroughly researched book that finely draws the pirate life; one can almost smell the bilge and salt air and taste the rum.
An engrossing and historically grounded yarn.Pub Date: Feb. 6, 2018
ISBN: 978-1-943593-21-7
Page Count: 384
Publisher: Mount Sopris Publishing
Review Posted Online: April 17, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Cussler's most adult, least comic-strip-y entry yet in the Dirk Pitt sea sagas. Gone is the outlandish plotting of Treasure (1988), when Dirk found Cleopatra's barge in Texas, and of Sahara (199), which unearthed Lincoln's body in a Confederate sub—buried in the desert sands. Now, in his 11th outing, Dirk Pitt and his National Underwater and Marine Agency (NUMA) fight villainous megalomaniac Arthur Dorsett, head of Dorsett Consolidated Mining, which holds the world's wealthiest diamond-mine empire. Pitt and his team must fight as well Dorsett's three daughters, the coldly beauteous Amazonian Boudicca, whose giant strength dwarfs Dirk's; the elegant but heartless Deirdre; and the star-crossed zoologist Maeve, whose bastard twins are held captive by grandfather Arthur so that Maeve will infiltrate NUMA and report on its investigation of his holdings—even though Dirk recently saved Maeve and Deirdre's lives in the Antarctic. First, however, Cussler takes us back to 1856 and a typhoon-battered British clipper ship, the Gladiator, that sinks in uncharted seas off Australia; only eight survive, including Jess Dorsett "the highwayman," a dandyish-looking convict, who discovers raw diamonds when stranded on an uninhabited island. From this arises the Dorsett empire, bent on undermining the world market in diamonds by dumping a colossal backlog of stones and colored gems into its vast chain of jewelry stores and, with one blow, toppling De Beers and all rivals. Worse, Arthur Dorsett excavates by high-energy-pulsed ultrasound, and when ultrasound from all four of his island mines (one on Gladiator Island, near New Zealand, another by Easter Island, the last two in the North Pacific Ocean) happen to converge, a killer shock wave destroys all marine and human life for 30 kilometers around, and now threatens over a million people in Hawaii—unless Dirk Pitt's aging body can hold it back. Tireless mechanical nomenclature, but furious storytelling.
Pub Date: Jan. 2, 1996
ISBN: 0-684-80297-X
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
Readers here get both: “Life was cruel. And hilarious all at once.”
A sprawling family saga with a zesty Mexican-American accent from Cisneros, author of, most recently, Woman Hollering Creek (1991).
Every summer, all three Reyes brothers drive with their wives and children from Chicago to Mexico City to visit their parents. Narrator Lala begins with a particularly dreadful trip during which “the Awful Grandmother” reveals a shameful secret from her favorite son’s past to humiliate her detested daughter-in-law. These are Lala’s parents, and Lala then rolls the narrative back, goaded by a scolding second voice whose identity we learn later, to tell us how a desolate, abandoned girl named Soledad became the Awful Grandmother. Soledad comes from a family of shawl-makers, and her most significant possession is a rebozo caramelo, a silk shawl whose striped design, when she unfurls it after her husband’s death, evokes “the past . . . the days to come. All swirling together like the stripes.” Wearing it years later to her parents’ 30th anniversary, Lala brings the fringe to her lips and tastes “cooked pumpkin familiar and comforting and good, reminding me I’m connected to so many people, so many.” Cisneros’ keen eye enlivens descriptions of everything from Chicago’s famed Maxwell Street flea market to Soledad’s sun-stroked house on Destiny Street. (The author riffs playfully throughout on the double meaning of destino, as either “destiny” or “destination”; it’s hard to imagine that the simultaneous Spanish-language edition will be as stylistically original as this casually bilingual text.) Melodrama abounds, and the narrator doesn’t disdain her tale’s links to Mexico’s famed telenovelas. In one of many entertaining footnotes, vehicles for historical and biographical background as well as the author’s opinions, she insists that those TV soap operas merely “[emulat] Mexican life.” The only way to cope is with a robust sense of humor. As Lala’s friend Viva says, “You’re the author of the telenovela of your life. Comedy or tragedy? Choose.”
Readers here get both: “Life was cruel. And hilarious all at once.”Pub Date: Sept. 30, 2002
ISBN: 0-679-43554-9
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
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