A complex but lively thriller that brings to mind the work of Len Deighton.
Marquis’ (Blackbeard, 2018, etc.) third series entry centers on the lives and adventures of spies operating in concert with the Norwegian resistance during the Nazi occupation.
This latest novel concentrates on a colorful, real-life figure known as “Agent ZigZag”—British spy Eddie Chapman, a suave, charismatic figure who seems to have stepped out of the pages of a Graham Greene novel; he had many clandestine adventures spying on the Germans during World War II. The author enhances the tale of Agent ZigZag with stories, drawn from recently unearthed documents, detailing the lesser-known adventures of fellow resistance members Dagmar Lahlum and Annemarie Breien, showing the double agents’ complicated day-to-day dealings as Nazi oppression in their country steadily intensifies. Marquis has clearly done a prodigious amount of research, which results in a rather dense work. However, he matches it with a good sense of dramatic pacing that keeps the multifaceted plot bubbling along despite copious amounts of exposition in each chapter; the story is full of hairsbreadth escapes, double-crosses, and desperate bravery. (Marquis also elaborates on the historical record by having his spies all know one another, although the documentary evidence that they actually did is inconclusive.) The strong narrative momentum is enhanced by the author’s occasional penchant for arch melodrama: “And with that [Stephan Albert Heinrich] von Gröning fingered his own Iron Cross at his throat—and smiled the smile of a true German spymaster.” He ends the book with a formidably lengthy afterword that lays out the true history in precise detail, and the list of cited sources is equally generous. As a result, this is not only a skillful, rapid-fire historical spy thriller, but also a fine source on one of the least-known and most heroic chapters of the Second World War.
A complex but lively thriller that brings to mind the work of Len Deighton.Pub Date: May 29, 2018
ISBN: 978-1-943593-23-1
Page Count: 418
Publisher: Mount Sopris Publishing
Review Posted Online: July 24, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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