A complex but lively thriller that brings to mind the work of Len Deighton.
Marquis’ (Blackbeard, 2018, etc.) third series entry centers on the lives and adventures of spies operating in concert with the Norwegian resistance during the Nazi occupation.
This latest novel concentrates on a colorful, real-life figure known as “Agent ZigZag”—British spy Eddie Chapman, a suave, charismatic figure who seems to have stepped out of the pages of a Graham Greene novel; he had many clandestine adventures spying on the Germans during World War II. The author enhances the tale of Agent ZigZag with stories, drawn from recently unearthed documents, detailing the lesser-known adventures of fellow resistance members Dagmar Lahlum and Annemarie Breien, showing the double agents’ complicated day-to-day dealings as Nazi oppression in their country steadily intensifies. Marquis has clearly done a prodigious amount of research, which results in a rather dense work. However, he matches it with a good sense of dramatic pacing that keeps the multifaceted plot bubbling along despite copious amounts of exposition in each chapter; the story is full of hairsbreadth escapes, double-crosses, and desperate bravery. (Marquis also elaborates on the historical record by having his spies all know one another, although the documentary evidence that they actually did is inconclusive.) The strong narrative momentum is enhanced by the author’s occasional penchant for arch melodrama: “And with that [Stephan Albert Heinrich] von Gröning fingered his own Iron Cross at his throat—and smiled the smile of a true German spymaster.” He ends the book with a formidably lengthy afterword that lays out the true history in precise detail, and the list of cited sources is equally generous. As a result, this is not only a skillful, rapid-fire historical spy thriller, but also a fine source on one of the least-known and most heroic chapters of the Second World War.
A complex but lively thriller that brings to mind the work of Len Deighton.Pub Date: May 29, 2018
ISBN: 978-1-943593-23-1
Page Count: 418
Publisher: Mount Sopris Publishing
Review Posted Online: July 24, 2018
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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