A quiet, positive story that opens a window into what it can look and feel like to grow up in a biracial, multinational...

MAISIE'S SCRAPBOOK

Maisie has the best of many worlds in her multiracial family. 

A brown-skinned little girl with puffy Afro hair, Maisie begins her scrapbook with small watercolor portraits of her family in the front endpapers: Mama and Dada as children and several pictures of Maisie’s younger self. She writes that she is “the little girl who saves the world from Ananse the spider” and whose mama tells her “a bull is not a pet.” This sets the stage for the contrasts between her parents: Her dark-skinned West African dada takes her on regular flights of fancy, while her white mama keeps her grounded and safe. Despite their differences, both parents love her dearly. Dada plays a marimba, Mama plays viola, and Maisie plays maracas—this family embraces global music. The Sankofa bird and the Ghanaian Adinkra symbol Gye Nyame (“except for God”) appear in the illustrations, both of which relate to going back and fetching the past to find a way forward—a likely motivation for Dada’s African stories. In the mixed-media illustrations, the outdoor and fantasy scenes fill the pages with color and contrast with Maisie’s time indoors, where entertaining herself seems to present a slight challenge.

A quiet, positive story that opens a window into what it can look and feel like to grow up in a biracial, multinational family that’s rich in story . (Picture book. 3-6)

Pub Date: March 5, 2019

ISBN: 978-1-911373-57-5

Page Count: 32

Publisher: Lantana

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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A sweet, tender and charming experience to read aloud or together.

HEY, DUCK!

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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