During WWII, the Danes, whose nation was occupied by the Germans, knew the British called them, “Hitler’s Canary.” “They say he has us in a cage and we just sit and sing any tune he wants.” But Denmark waged active underground opposition to the conquerors and saved most Jewish Danes from being taken into the concentration camps. Toksvig tells the story through the eyes and actions of Bamsie, ten years old when the story begins. He is the son of an actress, whose talent becomes an essential part of the plot. Because of the theatrical influence in his life, Hitler’s Canary is arranged as Act, Scene, Time, Date, Place, providing a guide from 1940 to 1943, the year the Jews escaped to Sweden. Characterization is good enough to make each person an individual, sometimes permitting “good” people to have faults. Details of setting and time are fascinating, and the action is suspenseful and riveting. Despite a few missteps (how would people who were rescuing Jews know what is and what is not a Jewish name, for instance?), Toksvig offers a spellbinding look at a part of history that is rarely fictionalized. Backmatter includes the facts of Danish resistance and Jewish rescue as well as further details on the fate of those involved. An author’s note explains what is true of her own family history retold in the story. (Historical fiction. 10-14)
Pub Date: March 1, 2007
ISBN: 1-59643-247-0
Page Count: 192
Publisher: Roaring Brook Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
Navigating this stunning novel requires thought and concentration, but it’s well worth the effort.
Returning to themes she explored so affectingly in Moon Over Manifest (2011), Newbery Medalist Vanderpool delivers another winning picaresque about memories, personal journeys, interconnectedness—and the power of stories.
Thirteen-year-old Jack enters boarding school in Maine after his mother’s death at the end of World War II. He quickly befriends Early Auden, a savant whose extraordinary facility with numbers allows him to “read” a story about “Pi” from the infinite series of digits that follow 3.14. Jack accompanies Early in one of the school crew team’s rowing boats on what Jack believes is his friend’s fruitless quest to find a great bear allegedly roaming the wilderness—and Early’s brother, a legendary figure reportedly killed in battle. En route, Early spins out Pi’s evolving saga, and the boys encounter memorable individuals and adventures that uncannily parallel those in the stories. Vanderpool ties all these details, characters, and Jack’s growing maturity and self-awareness together masterfully and poignantly, though humor and excitement leaven the weighty issues the author and Jack frequently pose. Some exploits may strain credulity; Jack’s self-awareness often seems beyond his years, and there are coincidences that may seem too convenient. It’s all of a piece with Vanderpool’s craftsmanship. Her tapestry is woven and finished off seamlessly. The ending is very moving, and there’s a lovely, last-page surprise that Jack doesn’t know but that readers will have been tipped off about.
Navigating this stunning novel requires thought and concentration, but it’s well worth the effort. (author’s note, with questions and answers, list of resources) (Historical fiction. 10-14)Pub Date: Jan. 8, 2013
ISBN: 978-0-385-74209-2
Page Count: 320
Publisher: Delacorte
Review Posted Online: Oct. 30, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
A promising debut.
The horrors of the Guatemalan civil war are filtered through the eyes of a boy coming of age.
Set in Chopán in 1981, this verse novel follows the life of Carlos, old enough to feed the chickens but not old enough to wring their necks as the story opens. Carlos’ family and other villagers are introduced in early poems, including Santiago Luc who remembers “a time when there were no soldiers / driving up in jeeps, holding / meetings, making / laws, scattering / bullets into the trees, / hunting guerillas.” On an errand for his mother when soldiers attack, Carlos makes a series of decisions that ultimately save his life but leave him doubting his manliness and bravery. An epilogue of sorts helps tie the main narrative to the present, and the book ends on a hopeful note. In her debut, Brown has chosen an excellent form for exploring the violence and loss of war, but at times, stylistic decisions (most notably attempts at concrete poetry) appear to trump content. While some of the individual poems may be difficult for readers to follow and the frequent references to traditional masculinity may strike some as patriarchal, the use of Spanish is thoughtful, as are references to local flora and fauna. The overall effect is a moving introduction to a subject seldom covered in fiction for youth.
A promising debut. (glossary, author Q&A) (Verse/historical fiction. 10-14)Pub Date: March 25, 2014
ISBN: 978-0-7636-6516-6
Page Count: 208
Publisher: Candlewick
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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