An appealing blend of environmental activism and romance that will engage reluctant readers.

EVERYTHING IT TAKES

Lily joins an environmental club purely to have an extracurricular for her college applications, yet she’s soon drawn into the group’s mission—and unorthodox tactics.

Lily yearns to leave her stifling town. She knows college is both the way out and a necessary step toward becoming a lawyer, her dream since her parents’ divorce. With this goal in mind, Lily has focused so completely on her academics that she has no friends; besides which, all her previous club-joining attempts have failed. Galvanized by college recruiters’ questions about extracurricular activities, Lily reluctantly joins Green for Good. There, she quickly makes new friends—most notably with Fiona, who becomes a love interest. When the club members find industrial waste dumped in the creek behind their school, Lily must decide how far she will go to help identify the culprit. Lily’s an appealing character with a believable voice as the narrator, and the novel is told in clear, accessible free verse. The individual poems vary in length but are mostly short, moving the plot along swiftly; some episodes are resolved in the space of one or two brief poems. Most characters seem to be White; Fiona and her grandmother, who communicate using sign language, are subtly cued as Native American. The abrupt ending is jarring, leaving so many loose threads a sequel seems necessary.

An appealing blend of environmental activism and romance that will engage reluctant readers. (Verse novel. 12-18)

Pub Date: Dec. 1, 2021

ISBN: 978-1-978595-54-5

Page Count: 200

Publisher: West 44 Books

Review Posted Online: Sept. 29, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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