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THE TRADE OFF

Jones reminds us that there’s a lot to be outraged about these days.

A green reporter and her coldblooded editor go after a big, misogynistic fish in Jones’ #MeToo–era thriller.

Interviewing for a job at the powerful tabloid The Globe is a dream come true for Jess Townsend; she’s miles away from the local paper where she cut her journalistic teeth. After one uncomfortable moment with Max Forsythe, the editor, she learns that he's going to hire her because she seems to have a moral compass, and Max is looking to steer the paper out of its nasty-gossip–infested waters into the world of more serious journalism. This is news, however, to Stella Thorne, the deputy editor who ruthlessly sets up stings to catch celebrities in flagrante delicto, and to the owner, Peter Kingsley, who just wants the money to keep rolling in. When Jess is forced to help set up a young actress in a fake drug bust, she can hardly live with herself; then, a hot reality TV star becomes the target of the paper, and a false story about her having an affair leads to her death by suicide. As Jess begins to reckon with this tragedy and her own role in it, she stumbles onto a much bigger story about a wealthy tycoon who has been drugging and raping young women for years. It just so happens that Stella has personal reasons to believe Jess and the motive, therefore, to team up with her to take down the bastard once and for all. But the corruption at the paper runs deep, and Jess and Stella's quest for justice is mostly unfulfilled, though there's some hope in the end. Jones unapologetically stares down the ugliness of the modern media and its coldblooded exploitation of celebrities to benefit those truly in power, as well as the rampages of fake news. It’s a novel that couldn’t exist without #MeToo, but it falls short of its desired impact—it’s too busy prioritizing thrills over character development. Stella has the biggest awakening, “realiz[ing] that all she's ever done is what powerful men have wanted her to do”; Jess exists mainly to offer her a mirror but contributes little complexity or humanity to the narrative.

Jones reminds us that there’s a lot to be outraged about these days.

Pub Date: Aug. 15, 2023

ISBN: 9781250836939

Page Count: 304

Publisher: Minotaur

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SALTWATER

A feisty storm of Greek tragedy headlined by three very modern women.

On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.

When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.

A feisty storm of Greek tragedy headlined by three very modern women.

Pub Date: March 25, 2025

ISBN: 9780593875551

Page Count: 336

Publisher: Ballantine

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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