Tooze breaks little new ground, but the book is a reliable, readable life of an influential musician.
A biography of the legendary drummer and pioneer of Americana.
Levon Helm (1940-2012) hailed from Turkey Scratch, Arkansas, situated in a region where blacks and whites toiled side by side in the fields and shared songs as they did—and on Saturday nights, too, when nearby towns beckoned with their itinerant hucksters and song-and-dance players. “Today,” he remarked, “when folks ask me where rock ’n’ roll came from, I always think of our Southern medicine shows and that wild midnight ramble.” Helm mastered the guitar, mandolin, and other instruments early on, but it was as a drummer that he became known, playing in fellow Arkansan Ronnie Hawkins’ Hawks, whose otherwise Canadian members eventually formed The Band. Tooze, previously a biographer of Helm’s hero, Muddy Waters, spins a story that is well known thanks to Helm’s own memoir This Wheel’s on Fire (1993) and band mate Robbie Robertson’s Testimony (2016). Tooze’s musical vocabulary is solid—“His drumming seems random here as he playfully intersperses parts on the ride and hi-hat with drags, all in an eighth-note groove”—and her reconstruction of The Band’s chronology is accurate, as when she notes that Levon came late to the sessions that would become the Bob Dylan/Band collaboration released as The Basement Tapes. She also notes that in its own day, The Band was not as beloved as it would become later; the group’s third release, Stage Fright, was its most commercially successful, for example, “even though the reviews were lukewarm.” A strong theme in the closing sections of the book, after the group broke up, was Helm’s animosity toward Robertson, whom he resented for controlling the publishing rights to The Band’s music and “cheating the remaining bandmates out of songwriting royalties.” As with the rest of the book, that story is well known—and still unresolved years after Helm’s death.
Tooze breaks little new ground, but the book is a reliable, readable life of an influential musician.Pub Date: June 2, 2020
ISBN: 978-1-63576-704-9
Page Count: 400
Publisher: Diversion Books
Review Posted Online: Feb. 16, 2020
Kirkus Reviews Issue: April 1, 2020
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.
A compelling, profoundly unsettling blend of memoir and manifesto that proposes that—by design—matters will never improve for African Americans.
To be black, writes Wilderson III, who chairs the African American Studies program at the University of California, Irvine, is not just likely to descend from slaves, but to be forever condemned to the existential condition of a slave. As he writes, “slavery did not end in 1865. It is a relational dynamic…[that] can continue to exist once the settler has left or ceded governmental power.” No other ethnic group—not Native Americans, Asian Americans, Arab Americans, or Hispanic Americans—in the U.S. suffers the same institutional violence, and, Wilderson suggests, all others are more structurally aligned with the white oppressor than with the oppressed African American in a system that hinges on violence. Blending affecting memoir that touches on such matters as mental illness, alienation, exile, and a transcendent maternal love with brittle condemnation of a condition of unfreedom and relentless othering, the author delivers a difficult but necessary argument. It is difficult because it demands that readers of any ethnicity confront hard truths and also because it is densely written, with thickets of postmodern tropes to work through (“blackness is a locus of abjection to be instrumentalized on a whim…a disfigured and disfiguring phobic phenomenon”). The book is deeply pessimistic indeed, as Wilderson rejects any possibility of racial reconciliation in these two-steps-backward times. Perhaps the greatest value of the book is in its posing of questions that may seem rhetorical but in fact probe at interethnic conflicts that are hundreds, even thousands of years old. Wilderson advances a growing body of theory that must be reckoned with and that “has secured a mandate from Black people at their best; which is to say, a mandate to speak the analysis and rage that most Black people are free only to whisper.”
An essential contribution to any discussion of race and likely to be a standard text in cultural studies for years to come.Pub Date: April 7, 2020
ISBN: 978-1-63149-614-1
Page Count: 352
Publisher: Liveright/Norton
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
A gargantuan but surprisingly agile and spellbinding biography of the plain-speaking, plain-dealing Man from Missouri. As depicted by McCullough (Brave Companions, 1991, etc.), Truman, though the first President of the nuclear era, was fundamentally a throwback to 19th-century midwestern ideals of honesty. Like the young Teddy Roosevelt in the author's Mornings on Horseback (1981), the pre-Presidential Truman most impresses McCullough as a battler against overwhelming odds: the failed farmer and haberdasher; the WW I captain who kept his unit together under deadly fire; and the scorned product of the Kansas City machine who won Senate colleagues' respect by chairing an investigation into WW II defense spending and winning a ferocious primary contest. With the stage thus set, the narrative picks up whirlwind force, following Truman from his assumption of the Presidency upon FDR's death—when "the sun, the moon, and the stars" seemed ready to fall on him—through the decisions to drop the atomic bomb; confront Stalin at Potsdam; send troops to Korea (the most important decision of his Presidency, Truman felt); and fire MacArthur. The book's main event, however, is the legendary "Whistle-Stop Campaign" of 1948, when Truman puffed off the political upset of the century. Readers jaded by Vietnam and Watergate may ask: Could any President be this serene, honest, and courageous? Yet McCullough weaves his spell, convincingly limning a politician who didn't lie, steal, pay attention to pollsters or pundits, or quail in the face of diplomatic or political combat (his major fault seems to have been excessive loyalty to cronies who betrayed his trust). Truman apparently really was, as his Secretary of State Dean Acheson said, the "captain with the mighty heart." Rich in detail, enthralling, and moving: a classic Presidential biography.
Pub Date: June 19, 1992
ISBN: 0-671-45654-7
Page Count: 1120
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
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