Tooze breaks little new ground, but the book is a reliable, readable life of an influential musician.
A biography of the legendary drummer and pioneer of Americana.
Levon Helm (1940-2012) hailed from Turkey Scratch, Arkansas, situated in a region where blacks and whites toiled side by side in the fields and shared songs as they did—and on Saturday nights, too, when nearby towns beckoned with their itinerant hucksters and song-and-dance players. “Today,” he remarked, “when folks ask me where rock ’n’ roll came from, I always think of our Southern medicine shows and that wild midnight ramble.” Helm mastered the guitar, mandolin, and other instruments early on, but it was as a drummer that he became known, playing in fellow Arkansan Ronnie Hawkins’ Hawks, whose otherwise Canadian members eventually formed The Band. Tooze, previously a biographer of Helm’s hero, Muddy Waters, spins a story that is well known thanks to Helm’s own memoir This Wheel’s on Fire (1993) and band mate Robbie Robertson’s Testimony (2016). Tooze’s musical vocabulary is solid—“His drumming seems random here as he playfully intersperses parts on the ride and hi-hat with drags, all in an eighth-note groove”—and her reconstruction of The Band’s chronology is accurate, as when she notes that Levon came late to the sessions that would become the Bob Dylan/Band collaboration released as The Basement Tapes. She also notes that in its own day, The Band was not as beloved as it would become later; the group’s third release, Stage Fright, was its most commercially successful, for example, “even though the reviews were lukewarm.” A strong theme in the closing sections of the book, after the group broke up, was Helm’s animosity toward Robertson, whom he resented for controlling the publishing rights to The Band’s music and “cheating the remaining bandmates out of songwriting royalties.” As with the rest of the book, that story is well known—and still unresolved years after Helm’s death.
Tooze breaks little new ground, but the book is a reliable, readable life of an influential musician.Pub Date: June 2, 2020
ISBN: 978-1-63576-704-9
Page Count: 400
Publisher: Diversion Books
Review Posted Online: Feb. 16, 2020
Kirkus Reviews Issue: April 1, 2020
Dillard's headlong immersion into the mysteries of the natural world—from bedrocks to the heavens, and flora and fauna (from amoebas to us)—places this childhood memoir of life with a companionable family in Pittsburgh's elite enclave in the 50's and 60's. There is less tugging at the rare insight, the wild surmise, as in, say, Dillard's Teaching the Stone to Talk (1982), and this bright, imaginative whack through the "overgrown path" back to the past is more accessible to the general reader. Awareness is all to Dillard. To the tot, "mindless and eternal," playing on the kitchen floor, will come, in the roaring flood of time, "the breakthrough shift between seeing, and knowing you see." Aware as the dickens, Dillard found that everything in the world is "an outcrop of some vast vein of knowledge." The child Dillard will read books "to delirium," investigate rocks and insects, "pry open a landscape" with a microscope, draw faces, and just because it felt marvelous, pretend to fly, arms flapping, clown a Pittsburgh main street. In between accounts of such fabulous flights and efforts of concentration which "draw you down so very deep," there are delightful portraits of a set of attractive parents (shameless connoisseurs of jokes, both ancient and practical) and not unaffectionate views of Pittsburgh's Old Guard, at Country Club play to actually praying (to teen-ager Dillard's angry astonishment) in sables and tailcoats, in their gold-plated church). There are tales of mischief-making, dances and boys, school and the fine and splendid rages of adolescence ("I was a dog barking between my own ears"). Throughout, Dillard rumples up the placid life. An overview of one particular childhood told with shiver and bounce, and another Dillard voyage of discovery as she continues to "break up through the skin of awareness . . .as dolphins burst through the seas. . ."
Pub Date: Sept. 23, 1987
ISBN: 0060915188
Page Count: 276
Publisher: Harper & Row
Review Posted Online: May 16, 2012
Kirkus Reviews Issue: Aug. 15, 1987
A welcome addition to the literature on immigration told by an author who understands the issue like few others.
The debut book from “one of the first undocumented immigrants to graduate from Harvard.”
In addition to delivering memorable portraits of undocumented immigrants residing precariously on Staten Island and in Miami, Cleveland, Flint, and New Haven, Cornejo Villavicencio, now enrolled in the American Studies doctorate program at Yale, shares her own Ecuadorian family story (she came to the U.S. at age 5) and her anger at the exploitation of hardworking immigrants in the U.S. Because the author fully comprehends the perils of undocumented immigrants speaking to journalist, she wisely built trust slowly with her subjects. Her own undocumented status helped the cause, as did her Spanish fluency. Still, she protects those who talked to her by changing their names and other personal information. Consequently, readers must trust implicitly that the author doesn’t invent or embellish. But as she notes, “this book is not a traditional nonfiction book….I took notes by hand during interviews and after the book was finished, I destroyed those notes.” Recounting her travels to the sites where undocumented women, men, and children struggle to live above the poverty line, she reports her findings in compelling, often heart-wrenching vignettes. Cornejo Villavicencio clearly shows how employers often cheat day laborers out of hard-earned wages, and policymakers and law enforcement agents exist primarily to harm rather than assist immigrants who look and speak differently. Often, cruelty arrives not only in economic terms, but also via verbal slurs and even violence. Throughout the narrative, the author explores her own psychological struggles, including her relationships with her parents, who are considered “illegal” in the nation where they have worked hard and tried to become model residents. In some of the most deeply revealing passages, Cornejo Villavicencio chronicles her struggles reconciling her desire to help undocumented children with the knowledge that she does not want "kids of my own." Ultimately, the author’s candor about herself removes worries about the credibility of her stories.
A welcome addition to the literature on immigration told by an author who understands the issue like few others.Pub Date: May 19, 2020
ISBN: 978-0-399-59268-3
Page Count: 208
Publisher: One World/Random House
Review Posted Online: Jan. 14, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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