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THE HOUNDING

A confident, meticulously detailed mystery that would have made Shirley’s pipe-smoking idol proud.

A female sleuth and her assistant investigate a case involving a vicious dog attack in the debut novel from de Helen, whose previous works include short stories and plays.

A wealthy matriarch is killed—a heart attack after being assailed by apparently wild pit bulls. Her daughter believes it was murder, and she enlists the help of Shirley Combs, a financial portfolio manager who works as a detective on the side. Shirley, aided by Dr. Mary Watson, compiles a list of suspects: Those who stood to inherit her mother’s fortune, those affected by her plan to save the forests, a jealous lover, her strangely absent son. Or was it simply a tragic accident? “We’ll see,” says the gumshoe. Readers may be tempted to roll their eyes at the discernible correlation between the author’s novel and a certain famous detective’s (say Shirley’s full name really fast) case involving a similar canine-inspired murder. But mystery fans need not fret: These obvious allusions are trampled by the custom-designed Converse All Stars adorning the feet of a self-possessed and exemplary investigator. Mary, who—like the other Watson—provides narration and acts as a sounding board, describes Shirley as eccentric, but Shirley has a style all her own: She has a lab in her apartment, drives a Mercedes, and interviews people for both the gathering of clues and to gain prospective clients for her other job. One of the novel’s most striking traits is its portrayal of events from Mary’s perspective. If she wasn’t at the scene, she recounts events as told by Shirley. Mary’s secondhand accounts are more precise than her firsthand experiences—surmising that someone flinched and then changing her mind; literally jotting down “mmm” as a response, unsure if it was meant as yes or no. The grandest example of how Mary’s point of view affects the story is Shirley’s opening a line of questioning by asking the breed of a dog and then explaining that she was inquiring for Mary’s benefit; Mary, for her part, writes down the unfamiliar breed name phonetically and is so upset by Shirley’s sarcasm that she misses the entire conversation. The author provides the prerequisite features for classic mystery fans: a roster of suspects to keep readers guessing, assembling those suspects for the big reveal, allowing plenty of time for periodically reviewing the case, and of course, a magnifying glass.

A confident, meticulously detailed mystery that would have made Shirley’s pipe-smoking idol proud.

Pub Date: April 4, 2012

ISBN: 978-1475129212

Page Count: 208

Publisher: CreateSpace

Review Posted Online: July 30, 2012

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EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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