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MOTHER ON FIRE

A TRUE MOTHERF%#$@ STORY ABOUT PARENTING!

Like a long dinner date with that melodramatic, motor-mouthed best friend you can’t imagine life without.

Outspoken writer/performer Loh tells all about being an industrious minivan-driving mom during a particularly brutal midlife crisis: “the year I exploded into flames.”

At 42, living in Southern California and the mother of two young daughters, the author spent many nights fretting about how “unbelievably complicated” maternity had become in the modern world. During a woman’s 40-something years, she explains with wry candor, a molting process occurs whereby females cast off the wilting skins of their former selves and attempt to silence the “ceaseless drumbeat of domestic tedium.” But domestic issues reasserted their importance when older daughter Hannah reached kindergarten age and Loh realized that exclusive private institutions like Wonder Canyon or The Coleman School were completely beyond her means. Enrollment in the Los Angeles Unified School District was free, of course, but horrifying theories about the social stigma of public school swirled around the author as her devoted, tolerant musician husband Mike did his best to placate her fears. She contemplated placing Hannah in a Lutheran school, fraternized with a few of the moms, and soon playdates were materializing in abundance. Then came the devastating news of Hannah’s poor kindergarten testing results, which ended her chances for the Lutheran School. Loh experienced other traumas: After forgetting to tell her engineer to bleep out a casual use of the F word, she was unceremoniously fired from her public-radio program; then she gave the boot to her longtime feminist therapist. Never one to become unmoored by strife or circumstance, the author managed to land on her feet. She chronicles her panic-stricken neuroses in a relentlessly frenetic, blog-like narrative. It’s all about capitalized key words, hyperactive hysteria and…reestablishing a firm grip on motherhood.

Like a long dinner date with that melodramatic, motor-mouthed best friend you can’t imagine life without.

Pub Date: Aug. 12, 2008

ISBN: 978-0-609-60813-5

Page Count: 288

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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