The author's patented sly under-30 humor renders her first novel a triumphant addition to a canon that already includes an essay collection, Depth Takes a Holiday (1996), and her much-feted one-woman show, ``Aliens in America.'' If Bronwyn Peters is such a good young liberal, listening to NPR, giving money to good causes and stalwartly maintaining a bohemian lifestyle in the wasteland of Tujunga, a tract-house suburb not far from L.A., how come so many bad things keep happening to her? Once the hip batik-wearing girlfriend of the most successful writing student at San Jose State, Bronwyn is still, six years later (at the onset of the '90s) just ``the girlfriend,'' while writer Paul, whose attempts to sell a screenplay keep bombing, sinks deeper and deeper into a showbiz-induced depression. They're also sinking slowly into debt, but worst of all is Bronwyn's sense that despite Paul's Talent they're really just extras in someone else's movie—two anonymous, black-clad members of ``Los Angeles' vast, undocumented hip,'' with ``the crust of disappointment. . .all over them, the wild-eyed, sunburned despair.'' Yet Paul refuses to share Bronwyn's dream of ditching this city in favor of East Coast academia—even when her women's studies fellowship is canceled in favor of a new minority studies program (``It's the ethnics against the women!'' her advisor whispers). By the time the L.A. riots destroy any chance that Bronwyn and Paul will ever crawl out from under their real estate debt and escape L.A., Bronwyn has realized that she and Paul are simply not destined to win in this world—and that there's not really anything to do about it but get married and live as happily as possible. If some of Loh's comic references are a bit shopworn (corporate promotional parties, showbiz talk), that doesn't mean they aren't dead-on funny and true.
Pub Date: Sept. 1, 1997
ISBN: 1-57322-068-X
Page Count: 224
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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