by Sandro Veronesi & translated by Alastair McEwen ‧ RELEASE DATE: April 4, 2003
Gianni is a splendid talker in this sophisticated tale of his own privacies: it’s like passing a splendid few hours in a...
Veronesi’s seventh but first to appear in the US is a true pleasure as a man’s life seems to be falling apart—but then doesn’t.
Gianni Orzan is a prize-winning children’s author who lives in Rome (in an apartment with a great view), has a beloved son of eight, and is happily married. On the downside? Well, for one thing, he’s blocked on his next book (he writes about a little kid, Pizzano Pizza), and, for another, his father has very recently died. A difficult time, in other words, but not disastrous. But then a cab driver taking Gianni home one night—with a gun showing under his belt—makes a casual but intimately true remark about the beloved son, and Gianni takes it as a veiled threat: he jumps from the cab, tells the cops, and moves wife and son—for safe keeping—out of the city. When the cabby appears at Gianni’s door—with gun, but also with the computer and valise that Gianni left in the cab—it starts to seem that things aren’t as they appeared. Over many never-sensational but ever-interesting pages, the cabby works Gianni over—with no blows but words only, trying to make him accept the truth he bears: that Gianni’s father was Russian, not Italian, that after WWII he took the identity of a doomed man named Orzan and spent the rest of his days as a deep-cover agent for the Russians. Does the bottom fall out of Gianni’s life? No, but almost. It will take a beautiful woman, a Vespa accident, and revelation of an infidelity before the sinister cabby—actually a great guy, Gianni’s second father, more like—can make all things happy and safe once again.
Gianni is a splendid talker in this sophisticated tale of his own privacies: it’s like passing a splendid few hours in a comfortable bar with a long-missed best friend.Pub Date: April 4, 2003
ISBN: 0-06-621245-6
Page Count: 240
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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BOOK REVIEW
by Sandro Veronesi ; translated by Elena Pala
BOOK REVIEW
by Sandro Veronesi & translated by Michael F. Moore
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
by Donna Tartt
BOOK REVIEW
by Donna Tartt
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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