by Sandy Eisenberg Sasso ; illustrated by Joani Keller Rothenberg ‧ RELEASE DATE: April 23, 2019
A well-intentioned homily in which tolerance and kindness overcome bullying, but the tone is cloying and the message feels...
A little girl counts how many times the word “and” appears in her books and demonstrates to the adults in her life how important that little word can be.
She narrates supposedly old tales about shapes. A circle is insulted by a line until the cheerful uppercase AND, referred to as female, comes along “so simple and sure” and announces ‘Yes, we can!” and joins their hands (not pictured in the illustrations), and voilà, they form a balloon. A rectangle insults a triangle, bringing the chirpy AND again, joining them to make a seesaw. A rectangle and a square are joined to make a house, an oval and a line form musical notes, and a cylinder and an octagon form a table for people to gather in community. The rhyming tale is disjointed, with a particularly preachy conclusion, and the subtitle is quite misleading. Rothenberg’s very bright cartoons enhance the tale, with the depiction of AND varied and charming, especially when seen from a distance. But the illustrations have their own deficiencies. The rectangle that meets the triangle is extremely elongated and appears to be nearly identical to the rather wide line that joins with the oval. There is a link to download a song based on the tale. The child who begins it all appears white; some of the adults in her life are people of color.
A well-intentioned homily in which tolerance and kindness overcome bullying, but the tone is cloying and the message feels forced. (Picture book. 4-7)Pub Date: April 23, 2019
ISBN: 978-1-947888-05-0
Page Count: 40
Publisher: Flyaway Books
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Dana Meachen Rau ; illustrated by Wook Jin Jung ‧ RELEASE DATE: June 25, 2013
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
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by Dana Meachen Rau and illustrated by Melissa Iwai
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: June 3, 2025
Quirky, familiar fun for series devotees.
After Duncan finds his crayons gone—yet again—letters arrive, detailing their adventures in friendship.
Eleven crayons send missives from their chosen spots throughout Duncan’s home (and one from his classroom). Red enjoys the thrill of extinguishing “pretend fires” with Duncan’s toy firetruck. White, so often dismissed as invisible, finds a new calling subbing in for the missing queen on the black-and-white chessboard. “Now everyone ALWAYS SEES ME!…(Well, half the time!)” Pink’s living the dream as a pastry chef helming the Breezy Bake Oven, “baking everything from little cupcakes…to…OTHER little cupcakes!” Teal, who’s hitched a ride to school in Duncan’s backpack, meets the crayons in the boy’s desk and writes, “Guess what? I HAVE A TWIN! How come you never told me?” Duncan wants to see his crayons and “meet their new friends.” A culminating dinner party assembles the crayons and their many guests: a table tennis ball, dog biscuits, a well-loved teddy bear, and more. The premise—personified crayons, away and back again—is well-trammeled territory by now, after over a dozen books and spinoffs, and Jeffers once more delivers his signature cartooning and hand-lettering. Though the pages lack the laugh-out-loud sight gags and side-splittingly funny asides of previous outings, readers—especially fans of the crayons’ previous outings—will enjoy checking in on their pals.
Quirky, familiar fun for series devotees. (Picture book. 4-7)Pub Date: June 3, 2025
ISBN: 9780593622360
Page Count: 40
Publisher: Philomel
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Oliver Jeffers
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