The gift of language becomes relevant and real in this original tale.
When God gives language to people, the angels strongly object, convinced “people will not know what to do with words.”
Angels believe words belong exclusively to them, but God hopes people will use words to “make something beautiful.” God fills sacks with words (including “long, difficult words,” “silly words,” and hard-to-spell words) and sends the angels to “put words into the mouths of all the people.” When angels complain some words are too difficult to understand or spell, God creates dictionaries and spelling lists. People begin using words, combining them into sentences. However, as people turn words into lies, curses, and gossip, God worries the angels may have been right. Then God hears people using words to create songs, poetry, jokes, prayers, and stories that even the angels love. Conveyed in a tone reminiscent of the Genesis Creation story, Sasso’s intangible ideas take root in Zoells' delicate pencil lines and soft watercolors rendered with artful naiveté. God appears as the sun, luminous in red, orange, yellow, and blue concentric circles, while angels are represented as smaller, multicolored, spiky orbs. After God’s gift of words, light and energy infuse the previously dull landscape with colorful scenes of people of many races laughing, singing, telling stories, dancing, and praying.
The gift of language becomes relevant and real in this original tale. (Picture book. 3-8)Pub Date: Sept. 18, 2018
ISBN: 978-1-947888-01-2
Page Count: 40
Publisher: Flyaway Books
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
Both a celebration of and an introduction to the mosque.
Children welcome readers into different mosques to learn about varying activities and services that take place in them.
Though many different mosques and children are depicted, the voices call readers’ attention to the similarities among Muslim communities around the world. Yuksel highlights the community eating together; women, men, and children sharing the space and praying together; grandfathers thumbing their tasbihs; grandmothers reading the Quran; aunties giving hugs; children playing. The effect is to demonstrate that a mosque is more than just a building but rather a space where children and adults come together to pray, give, learn, and play. Joyful characters describe what happens in simple, poetic language: “In my mosque, the muezzin’s call to prayer echoes in the air. I stand shoulder to shoulder with my friends, linked like one long chain.” Aly’s bright illustrations pair well with Yuksel’s words, ending with a beautiful spread of children staring at readers, waving and extending their hands: “You are welcome in my mosque.” The variety of mosques included suggests that each has its own unique architecture, but repeating geometric patterns and shapes underscore that there are similarities too. The author’s note guides readers to her website for more information on the mosques depicted; they are not labeled, which is frustrating since the backmatter also includes a tantalizing list of famous mosques on every continent except Antarctica.
Both a celebration of and an introduction to the mosque. (glossary, sources) (Picture book. 4-8)Pub Date: March 23, 2021
ISBN: 978-0-06-297870-7
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Though it will never usurp Dr. Seuss, it will still find a home where Christian families of faith seek inspirational picture...
Turner adds another title to his picture-book series that highlights the miracles in the mundane (When God Made Light, 2018, etc.).
In the vein of children’s-bookshelf stalwart Oh, the Places You’ll Go, Turner’s rhyming text includes both prayers and life advice for a growing child, beginning with infancy and moving on to adolescence. At times the rhyme and meter are strained, muddling meaning and making the tempo feel occasionally awkward when read aloud. Overall, though, the book executes its mission, presenting Christian theological truths within the rhythmic inspirational text. For this third series installment Turner’s text is paired with a new illustrator, whose bright illustrations of wide-eyed children have great shelf appeal. While David Catrow’s previous illustrations in the series featured effervescent black protagonists, the child in Barnes’ illustrations appears white, though she occupies an otherwise diverse world. While illustrated as a prayer from a mother for her daughter, the text itself is gender neutral.
Though it will never usurp Dr. Seuss, it will still find a home where Christian families of faith seek inspirational picture books. (Picture book/religion. 3-6)Pub Date: Feb. 19, 2019
ISBN: 978-0-52565058-4
Page Count: 48
Publisher: WaterBrook
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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