An engrossing, cathartic account of empathy and success through determination and confidence.
This debut memoir chronicles a woman’s spiritual exploration and growth as she overcame a disturbing childhood and helped others heal.
Brought to America from the Dominican Republic as a youngster, Molina-Marshall should have led a happy life. Her father was a diligent worker, and his large family wanted for nothing. But the author recounts that her dad had a drinking problem and was a serial philanderer. Molina-Marshall’s long-suffering mother left him for a woman. Then it was all downhill for the bright, 12-year-old girl, who was shuttled between foster care and relatives. According to the author, she was sexually abused by the husband of one of her siblings. This resulted in Molina-Marshall becoming alienated and moody. By 15, she simply tried to survive. In her favor were grit and a restless intelligence. She quit school, rented a room, and found a factory job. Time went by, and for a while she was happily married. Yet when her husband left her, her life truly began. She turned to religion for answers but decided that blaming God for her woes was a cop-out. In this absorbing and moving memoir, Molina-Marshall’s vivid storytelling is fearless. She frankly discusses the truths she discovered and the indignities she suffered. These admissions are disclosed with a touch of resignation and plenty of bite. However painful, everything she experienced was a lesson, and she bravely realized that she was part of the problem: “The fear of being hurt, rejected, or abused often led to me feeling lonely and misunderstood. No one knew the agonizing pain I felt being trapped in my thoughts and anger. I was becoming my biggest threat.” The author skillfully recounts her intricate spiritual journey. To deal with her psychic wounds, she searched for an inspirational system. Her open-mindedness led her to the interfaith concept—cherry-picking from various religions and spiritual movements, yoga, and Indigenous beliefs as a way of finding peace. Along with her female partner, she built a therapy practice, making use of every spiritual element that aided her and others. The road was bumpy, and she found that women of color in same-sex relationships were not welcomed everywhere. To do good works—and finally live on her own terms—she effectively overcame bigotry.
An engrossing, cathartic account of empathy and success through determination and confidence.Pub Date: May 3, 2022
ISBN: 978-0-578-38315-6
Page Count: 264
Publisher: From Trauma to Triumph
Review Posted Online: June 13, 2022
Review Program: Kirkus Indie
A powerful melding of image and text inspired by Instagram yet original in its execution.
Smith returns with a photo-heavy book of days, celebrating births, deaths, and the quotidian, all anchored by her distinctive style.
In 2018, the musician and National Book Award–winning author began posting on Instagram, and the account quickly took off. Inspired by the captioned photo format, this book provides an image for every day of the year and descriptions that are by turns intimate, humorous, and insightful, and each bit of text adds human depth to the image. Smith, who writes and takes pictures every day, is clearly comfortable with the social media platform—which “has served as a way to share old and new discoveries, celebrate birthdays, remember the departed, and salute our youth”—and the material translates well to the page. The book, which is both visually impactful and lyrically moving, uses Instagram as a point of departure, but it goes well beyond to plumb Smith’s extensive archives. The deeply personal collection of photos includes old Polaroid images, recent cellphone snapshots, and much-thumbed film prints, spanning across decades to bring readers from the counterculture movement of the 1960s to the present. Many pages are taken up with the graves and birthdays of writers and artists, many of whom the author knew personally. We also meet her cat, “Cairo, my Abyssinian. A sweet little thing the color of the pyramids, with a loyal and peaceful disposition.” Part calendar, part memoir, and part cultural record, the book serves as a rich exploration of the author’s fascinating mind. “Offered in gratitude, as a place to be heartened, even in the basest of times,” it reminds us that “each day is precious, for we are yet breathing, moved by the way light falls on a high branch, or a morning worktable, or the sculpted headstone of a beloved poet.”
A powerful melding of image and text inspired by Instagram yet original in its execution.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-44854-0
Page Count: 400
Publisher: Random House
Review Posted Online: Sept. 5, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
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