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FIRE

From the Engelsfors Trilogy series , Vol. 2

The fantasy elements remain as murky as they are inessential to a story that is really more about high schoolers poised to...

The intricate relationship chess that sets the opener of this teens-vs.-demons import apart really takes over in the projected trilogy’s middle volume.

The five young Swedes previously given paranormal powers and designated by enigmatic “guardians” as Chosen Ones (The Circle, 2013) are thoroughly enmeshed in emotional turmoil fostered by the sprawling cast of questionable boyfriends and ex-boyfriends, vicious bullies, troubled parents and hostile townsfolk. This so preoccupies them that both the arrival of an investigator bent on punishing any unauthorized magic working and the imminent prospect of the world’s destruction by otherworld demons seem mere distractions. Still struggling with personality conflicts as well as grief months after the murders of two confederates, the five survivors are slow to notice that a “Positive Engelsfors” movement is turning nearly everyone in the town into zombielike conformists—blind to, and even participating in, a rising tide of sudden deaths and vandalism. Eventually, following an eye-opening round of bespelled mutual body switching, the teenage world savers narrowly avert a mass killing that would have touched off the apocalypse and in the process, form bonds that leave them at least somewhat readier to face the final reckoning to come.

The fantasy elements remain as murky as they are inessential to a story that is really more about high schoolers poised to emerge from tough adolescences than magic. (Fantasy/horror. 13-18)

Pub Date: Feb. 1, 2014

ISBN: 978-1-4683-0672-9

Page Count: 704

Publisher: Overlook

Review Posted Online: Jan. 3, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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