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A ZIGZAG LINE

A solid blend of coming-of-age tale, adventure, and mystery.

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An aspiring artist uncovers family secrets and works to save a community in Shirley’s novel.

Fourteen-year-old Dre Elliott has big plans for the summer: finishing his portfolio so he can apply for a scholarship to the Collegio di Belle Arti in Florence, an essential step on his path to becoming a professional artist. But on his birthday, he receives a letter his mountain-climber father wrote to him years ago as he was dying on the slopes of Denali. The almost-illegible letter introduces Dre to an extended family he didn’t know about, and he decides to give up some of his portfolio-building time to travel to New Hampshire and meet his great-aunt—and learn more about the family responsibility his father’s last letter asked him to take on. Dre’s great-aunt EV lives off the grid in a house built into a New Hampshire mountain where she leads the agricultural collective established by Dre’s great-grandmother, who wanted to give back to the community after the closure of the family’s factory put much of the town of Forsyth out of work. Dre’s enthusiasm dips as he discovers that visiting EV means chores—it’s hard work, and leaves even less time for his art than he had expected. He’s also disappointed by his great-aunt’s reluctance to discuss Dre’s father or any of the other family history he had hoped to uncover. With the help of two new friends—and despite the hindrance of some local bullies—Dre does his own research and discovers that branches of his family are fighting over the futures of the agricultural project and Forsyth itself. He realizes that, as the last surviving member of his branch, he has a role to play and a responsibility to the community he has only just met.

Dre’s growing maturity over the course of the story—he goes from slightly naive, ungrateful, and self-involved to thoughtful, community-minded, and willing to risk his dreams to protect other people—is one of the novel’s most notable strengths. Readers may be inclined to dismiss him as a rather annoying protagonist at first, but Shirley gradually develops Dre into an engaging character who earns the reader’s sympathy. The story also has a strong cast of supporting characters, including EV (“If I’m forced to repeat myself, I get very, very grumpy, which isn’t a good thing for you or me, understand?”); Stan, Dre’s mother’s lawyer boyfriend; Gwen, Forsyth’s one-girl welcoming committee (and Dre’s crush); and Roland, whose research skills, sense of honor, and offbeat communication style are essential to helping Dre puzzle out his father’s dying wish for him. However, some of the other characters, like the local bullies, are more one-dimensional, or strain credibility a bit. The pacing is uneven at first, but the narrative finds its footing after Dre arrives in Forsyth, and pages will be turning rapidly by the time Dre, Gwen, and Roland are solving the family mystery. Shirley also does an effective job of exploring the tension between pursuing a passion, like art or mountain climbing, and acting responsibly toward friends and family.

A solid blend of coming-of-age tale, adventure, and mystery.

Pub Date: N/A

ISBN: 9781959955573

Page Count: -

Publisher: N/A

Review Posted Online: Jan. 29, 2025

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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