Middling detection, salty but occasionally clumsy English prose (no translator is credited). What makes this latest...



Assistant Detective Louise Rick’s second case, and the first to be published in the U.S., pits her and the Copenhagen Police Department against a particularly nasty serial rapist.

Susanne Hansson leads a sheltered life that would be even more sheltered if her insinuating, domineering mother had anything to say about it. It’s only natural for her to look for love online, and when she brings home a man for an after-dinner drink, she has every reason to expect that he’ll continue to act like a gentleman. Instead she gets bound, gagged, beaten and raped by her date, who turns out to have given her a false name and address before vanishing into cyberspace. Swinging into action, Louise and lead investigator Henny Heilmann have greater success linking Susanne’s assailant to at least one earlier rape—the two-year-old case of Karin Hvenegaard, a day-care teacher who still hasn’t recovered from her attack—than rehabilitating the victim, who swallows a bottle of Tylenol in an attempt to escape not so much her traumatic memories as her relentlessly smothering mother. The investigators are even less successful with the next victim, realtor Christina Lerche, who’s found dead on her bedroom floor. Stung by her suspicion of the new man her best friend, journalist Camilla Lind, has found online, and the defection of her live-in lover Peter to his pregnant co-worker, Louise creates a profile on the sinister site nightwatch.dk in hope of staking herself out as a Judas goat for the rapist.

Middling detection, salty but occasionally clumsy English prose (no translator is credited). What makes this latest Scandinavian import special is Baedel’s success in evoking her women’s nagging fears about unfamiliar men, unfaithful lovers and bullying mothers.

Pub Date: Sept. 17, 2011

ISBN: 978-1-60598-251-9

Page Count: 320

Publisher: Pegasus Crime

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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