A comic, potentially multicultural romance conflates India’s many identities into a misleading package for easy consumption.
A down-on-her-luck Indian American human resources professional locks horns with an Indian American corporate downsizer while also trying to find a suitable bridegroom.
Layla Patel returns to San Francisco after undergoing a public breakup with her social media–star boyfriend and getting fired from her job in New York. She's immediately plunged into a chaotic life with her extended clan while she tries to start her own HR firm. At the same time she's helping her family’s restaurant stay afloat after her father has a health crisis, she has another item to tackle: evaluating the potential grooms he had selected for her from a matrimony website. To complicate matters further, Sam Mehta, an uptight corporate executive, has rented the space above the restaurant and refuses to give up his lease. Desai, who has previously published as Sarah Castille, now mixes up ingredients for a South Asian rom-com khichdi, with meddling aunties, a mishmash of Indian foods, references to movie songs, and a string of marriage candidates. Layla and Sam’s chemistry channels the drama of Indian cinema. There are many humorous moments of banter and slapstick between them and a notable attempt to immerse the reader in South Asian Americanness. But the novel shows a poor understanding of the sociopolitical dynamics within Indian communities (including in the diaspora). Desai seems unaware that names signal a person's region and religion, so there are seemingly northwest Indian characters specializing in southern Indian vegetarian food, which sidelines their own staple cuisine. Similarly, Layla's marriage candidates span a pan-Indian, pan-religious roster, a misleading representation of the reality of religious biases that impact Indian minorities. A subplot about domestic violence also teeters on the edge of representing people with disabilities as supporting characters who only serve to shape others’ stories.
A comic, potentially multicultural romance conflates India’s many identities into a misleading package for easy consumption.Pub Date: June 9, 2020
ISBN: 978-0-593-10056-1
Page Count: 352
Publisher: Berkley
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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