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SLUG DAYS

This nondidactic effort is a fine, affecting addition to the literature for kids on the spectrum and for those who know...

Lauren, a white grade schooler with autism spectrum disorder, has good days and bad days. On the bad days she feels just like a slug—slow, slimy, and friendless.

Lauren has lots to contend with. She prefers predictable routines; changes—which are all too common—make her want to “flip my lid,” as she puts it. A new bus driver who hasn’t saved her favorite seat, missing reading because she had to take so much time tying her shoes just right, and frustrations with trying to write neat versions of the letters G and P all create believably depicted obstacles. Lauren’s narrative voice is honest, poignant, and spot-on in describing her often baffled perceptions as she tries but frequently fails to navigate a confusing world. Her parents’ and teacher’s successes and communication and occasional losses of patience, together with angry responses of annoyed classmates, add dimension to Lauren’s world. Her victories, such as finding a friend, subtly hint at progress. Bender’s pencil-and-digital illustrations appear on nearly every generously leaded spread. Her tender, winsome depictions of Lauren, sometimes endearingly engaged but other times steamy with anger, broaden the tale and make it accessible to even children transitioning to chapter books.

This nondidactic effort is a fine, affecting addition to the literature for kids on the spectrum and for those who know those kids—in short, for just about everyone. (author’s note) (Fiction. 5-9)

Pub Date: Oct. 27, 2017

ISBN: 978-1-77278-022-2

Page Count: 120

Publisher: Pajama Press

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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