by Sara O'Leary ; illustrated by Qin Leng ‧ RELEASE DATE: Aug. 3, 2021
A heartwarming but not revolutionary book about inclusion.
There’s a new kid at school, and they’re tired of being asked all the wrong questions.
Who cares if they identify as a boy or a girl? After the new student voices their concerns, other students join in to share the questions they’ve been asked. One student is asked about their small size, for example, when they’d rather be asked about their prowess at spelling. Another is asked where she comes from when clearly where she currently lives is her home. Still another, who has a prosthetic leg, is asked what they can’t do rather than what they can do. Kid after kid voices the questions they wish they were asked. The text is a clever and heartfelt ode to children who challenge everything including xenophobia, ableism, and the gender binary, and the illustrations feature a diverse array of skin colors and hair textures, communicating racial and ethnic diversity. The author’s inclusion of more mundane examples of difference—like, for example, a White child who loves to read—is clearly meant to communicate that all children are unique in their own way. Unfortunately, these examples detract from the book’s message about challenging oppressive systems of power: Being asked about one’s reading habits is, after all, not at all equivalent to being harassed for being gender nonbinary, for being an immigrant, or for being disabled. (This book was reviewed digitally.)
A heartwarming but not revolutionary book about inclusion. (Picture book. 4-7)Pub Date: Aug. 3, 2021
ISBN: 978-1-77306-250-1
Page Count: 32
Publisher: Groundwood
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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