A well-meaning but belabored recognition of introverts, artists, and activists.

HERE IN THE REAL WORLD

An introverted boy fights to save an empty lot from auction.

Eleven-and-a-half-year-old Ware can’t wait to spend the Florida summer with his grandmother, enjoying “long hours free and alone.” Other adults—including his overprotective, hyperefficient mother and sports-loving father—discourage his being “off in his own world.” But when his grandmother takes a fall, he must trade privacy for “Meaningful Social Interaction” in the Summer Rec program. He finds sanctuary in nearby church ruins, where he meets cynical, secretive Jolene and bird activist Ashley. When the property is slated for auction, medieval-history buff Ware invokes the “Knights’ Code”—a feminist but nonetheless romanticized version of the code of chivalry—resolving to “be always the champion of the Right and the Good” and defend their refuge. Victory, however, takes unexpected forms. Though Pennypacker’s exploration of what “fairness” means is thought-provoking, one-dimensional characterization weakens such powerful themes as abuse, self-advocacy, and self-acceptance. Tough-but-wounded Jolene is little more than a foil for the nearly angelic Ware, whose acute empathy even perceives a cut plant’s “cry of betrayal.” (The intense pain his empathy causes him goes unexamined.) Though introverted or sensitive kids may recognize Ware’s poignant struggles to connect with his parents, his heavy-handed portrayal—which his uncle folds neatly into the sensitive-artist trope—blunts some emotional impact. Most characters, including the kids, appear white; a supportive grocer is Greek.

A well-meaning but belabored recognition of introverts, artists, and activists. (Fiction. 8-12)

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-269895-7

Page Count: 320

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded.

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THE ONE AND ONLY BOB

Tiny, sassy Bob the dog, friend of The One and Only Ivan (2012), returns to tell his tale.

Wisecracking Bob, who is a little bit Chihuahua among other things, now lives with his girl, Julia, and her parents. Happily, her father works at Wildworld Zoological Park and Sanctuary, the zoo where Bob’s two best friends, Ivan the gorilla and Ruby the elephant, live, so Bob gets to visit and catch up with them regularly. Due to an early betrayal, Bob doesn’t trust humans (most humans are good only for their thumbs); he fears he’s going soft living with Julia, and he’s certain he is a Bad Dog—as in “not a good representative of my species.” On a visit to the zoo with a storm threatening, Bob accidentally falls into the gorilla enclosure just as a tornado strikes. So that’s what it’s like to fly. In the storm’s aftermath, Bob proves to everyone (and finally himself) that there is a big heart in that tiny chest…and a brave one too. With this companion, Applegate picks up where her Newbery Medal winner left off, and fans will be overjoyed to ride along in the head of lovable, self-deprecating Bob on his storm-tossed adventure. His wry doggy observations and attitude are pitch perfect (augmented by the canine glossary and Castelao’s picture dictionary of dog postures found in the frontmatter). Gorilla Ivan described Julia as having straight, black hair in the previous title, and Castelao's illustrations in that volume showed her as pale-skinned. (Finished art not available for review.)

With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded. (afterword) (Fiction. 8-12)

Pub Date: May 5, 2020

ISBN: 978-0-06-299131-7

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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