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PAX

Moving and poetic.

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A motherless boy is forced to abandon his domesticated fox when his father decides to join soldiers in an approaching war.

Twelve-year-old Peter found his loyal companion, Pax, as an orphaned kit while still grieving his own mother’s death. Peter’s difficult and often harsh father said he could keep the fox “for now” but five years later insists the boy leave Pax by the road when he takes Peter to his grandfather’s house, hundreds of miles away. Peter’s journey back to Pax and Pax’s steadfastness in waiting for Peter’s return result in a tale of survival, intrinsic connection, and redemption. The battles between warring humans in the unnamed conflict remain remote, but the oncoming wave of deaths is seen through Pax’s eyes as woodland creatures are blown up by mines. While Pax learns to negotiate the complications of surviving in the wild and relating to other foxes, Peter breaks his foot and must learn to trust a seemingly eccentric woman named Vola who battles her own ghosts of war. Alternating chapters from the perspectives of boy and fox are perfectly paced and complementary. Only Peter, Pax, Vola, and three of Pax’s fox companions are named, conferring a spare, fablelike quality. Every moment in the graceful, fluid narrative is believable. Klassen’s cover art has a sense of contained, powerful stillness. (Interior illustrations not seen.)

Moving and poetic. (Animal fantasy. 9-13)

Pub Date: Feb. 2, 2016

ISBN: 978-0-06-237701-2

Page Count: 304

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 18, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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LOVE THAT DOG

This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted...

Versatile Newbery Medalist Creech (A Fine, Fine School, p. 862, etc.) continues to explore new writing paths with her latest, written as free verse from the viewpoint of a middle-school boy named Jack. 

Creech knows all about reluctant writers from her own years of teaching, and she skillfully reveals Jack’s animosity toward books and poetry, and especially about writing his own poems. He questions the very nature of poetry, forcing the reader to think about this question, too. Jack’s class assignments incorporate responses to eight well-known poems (included in an appendix) and gradually reveal the circumstances, and Jack’s hidden feelings, about the loss of his beloved dog. Jack’s poetry grows in length, complexity, and quality from September to May, until he proudly sends his best poem about his dog and a heartfelt thank-you poem to Walter Dean Myers after the author’s school visit. The inclusion of the eight poems is an advantage, because comments on the poems are often part of Jack’s poetry. Others not already familiar with these famous poems, though, might miss the allusions in Jack’s work. (There is no note at the beginning of the book to point the reader to the appendix.) But it’s a quick read, offering a chance to go back and look again. Teachers will take this story to heart, recognizing Miss Stretchberry’s skilled and graceful teaching and Jack’s subtle emotional growth both as a person and a writer.

This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted readers. (Fiction/poetry. 9-13)

Pub Date: Aug. 1, 2001

ISBN: 0-06-029287-3

Page Count: 112

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2001

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HOLES

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

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Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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