A stunning book which paints the portrait of a broken life with honesty and compassion.
A young Swedish woman who has been brutally murdered spends her afterlife looking down on the Earth she has left behind.
Kristina is only 24 when she dies. She leaves behind her estranged parents, Raksha and Ivan, her dying husband, Shane, and her two children, Valle and Solveig, the elder taken by the state when he was 3 and the younger given up at birth to an adoptive family. Kristina also leaves behind the heroin addiction that gave her days immediate purpose and her murderer, an unnamed man who remembers her with more specific passion than anyone else in her abbreviated life. From her formless position in the afterlife, Kristina looks in on the people she left behind, both as their lives continue and as they existed in the significant moments she revisits as she drifts through a suddenly nonlinear experience of time. Yet, as cruel as the facts of Kristina’s life were—suffused with abandonment, abuse, sorrow, and death—the way she sees the world as it progresses without her is articulated with a kind of pragmatic hope. Nothing will change the facts of death or the bleakness that often precedes it, but what Kristina sees in Raksha as she struggles to live on as the mother of a murdered child; in Valle as he fights his own demons, so similar to his mother’s; in Solveig as she grows into the adult Kristina never had the chance to become are as real as the wasteland that spreads inside the mind of the murderer who chose Kristina to kill precisely because she seemed unafraid to die. In fragmented sections that echo with longing, loss, unutterable sorrow, and yet also a species of joy and light, Stridsberg explores the mind of a woman who gave up her life long before it was taken from her. There is a familiar tradition of dead-girl media in which “the only person of interest…is the murderer, and [the victim] is just a brief glimpse, a blur of green body, and then she is gone, out of the picture, disappearing into the depths of nothingness whence she came.” This book is the antidote to that kind of brutal anonymizing—a novel in which both the wicked and the sublime are scrutinized with the same care by the watchful eyes of the dead.
A stunning book which paints the portrait of a broken life with honesty and compassion.Pub Date: Jan. 18, 2022
ISBN: 978-0-374-27269-2
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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