Enthusiastic profiles of dancers set within insightful social history.
Opening a door into the rich world of modern dance.
Dance critic Veale calls the women dancers she profiles “unbridled voices” who use “their choices onstage and off to challenge expectations.” Between the 1890s and the 1910s, dancers probed creative new courses of movement. Isadora Duncan explored her “free dance” approach in Europe, performing barefoot in diaphanous costumes before bringing it to the U.S. in 1908—a “startling spark in the night.” Duncan epitomized social change and independence; her “repertoire bloomed like a hothouse rose” as she traveled the continent. A life of drinking and proselytizing damaged her later years. American Loie Fuller’s “Serpentine Dance” involved “vivid light projections and dizzying waves of silk.” Her career “thrived on imagination and metamorphosis.” She was all about movement, choreography, fluidity, saillike skirts and illumination. A huge success at the Folies Bergère, she even dabbled with scientific experiments. Canadian dancer Maud Allan’s provocative, much-maligned Vision of Salome, about sexual awakening, was hugely popular in 1908, inspiring ballet performers to experiment. Music was key to her dancing, which did much to broaden its appeal. The interwar years saw a rise in Black artists and the emergence of American icon Martha Graham, who was known for her introspective expressiveness and productivity. Graham’s role in modern dance was substantial, deeply influencing Veale’s own dancing. Anna Sokolow’s prolific works, searing and sincere, focused on social justice. Graham student Sophie Maslow “addressed a national identity in flux” in the 1940s, fostering inclusivity. In the ’40s and ’50s, Pearl Primus and Katherine Dunham had a “game-changing influence on the racial diversity of modern dance.” Dunham’s extensive portfolio of the beauty of Black heritage is a hefty legacy indeed, while Primus “harnessed her body as a channel for fury, pride and authenticity…dance as a scream.”
Enthusiastic profiles of dancers set within insightful social history.Pub Date: Feb. 10, 2026
ISBN: 9780571368563
Page Count: 288
Publisher: Faber & Faber
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
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