by Sarabeth Holden ; illustrated by Emma Pedersen ‧ RELEASE DATE: April 4, 2023
Deliciously playful and imaginative.
A young Inuit boy loves bananas so much he eventually becomes one.
There’s no doubt that bananas are Benny’s absolute favorite food. The boy, who wears a T. rex costume wherever he goes, gobbles up banana pancakes for breakfast, rides a bicycle with a banana seat, and even eats his tacos with fried bananas and hot banana peppers. Benny eats so much of his beloved yellow fruit over weeks and months that one morning he wakes up to find he’s transformed into a bananasaurus rex. In many of the images, Benny can be seen wearing his patched-up, well-loved dino suit. In others he is drawn as an actual dinosaur, complete with a hungry mouth full of teeth, hitting maximum appeal for fans of the Cretaceous critter. The illustrations are charming, especially the impressive bananasaurus rex, its arms made of a peeling banana, its tail the stem. The book’s silliness is its strength; it will certainly reach imaginative little readers who might themselves be obsessed with a particular creature, costume, or food. Brown-skinned, brown-haired Benny uses the Inuktitut words for mother (Anaana) and grandmother (Anaanatsiaq), asking his Anaanatsiaq about the word for banana. An opening letter to readers explains these Inuktitut words, their uses in the book, and how to pronounce them. (This book was reviewed digitally.)
Deliciously playful and imaginative. (Picture book. 3-6)Pub Date: April 4, 2023
ISBN: 9781772274424
Page Count: 28
Publisher: Inhabit Media
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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by Christian Robinson ; illustrated by Christian Robinson ‧ RELEASE DATE: May 12, 2026
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.
Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.
From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)Pub Date: May 12, 2026
ISBN: 9781250397041
Page Count: 48
Publisher: Balzer + Bray
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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