An often enjoyable story of a brave girl’s journey with a well-developed setting and characters.
A teenage girl in ancient times starts a sacred journey to become the first person ever to tame and ride a horse in Barnes’ debut novel.
In this story set in 4000 B.C.E. in what is now southeastern Europe, Naya is the 14-year-old daughter of Potis, the chief of her clan. She chafes against traditional rules, wishing for the freedom that the boys in her tribe are afforded. An encounter with a wild, red filly, which appears to telepathically communicate with her, secures the girl’s belief she’s meant for something more—but she must also convince her family. Her grandmother proclaims the quest Naya’s “soul journey,” but Potis is resistant, realizing that the horses could be a source of both great power and great danger. Naya tracks the herd through the grasslands, but just as she finds them, a young nomad named Aytal accidentally impales her with an arrow. Guilt-ridden, Aytal tends to Naya while his father, Oyuun, and younger brother race to find Naya’s clan. Eager to move the clan before winter, Potis agrees to let Aytal and Oyuun watch over the injured girl with the help of Naya’s mother, Sata; in exchange, Aytal’s brother remains with the clan as a hostage. The bulk of the story centers on Naya’s recovery and reconnection with the filly, Aytal’s sacrifices as atonement, and the forbidden feelings Sata and Oyuun start to have for each other. This impeccably detailed novel illuminates Naya’s journey on the ancient Pontic-Caspian steppe. Barnes skillfully develops key relationships in a manner that will make readers invested in the narrative. She also captures the tentativeness of romance and conflicts between traditions and other strong beliefs. As this is the first book of a planned series, some story elements are only hinted at—including a potential overthrow of Potis and Aytal’s punishment—and the book may have benefited from a bit more resolution. Also, the inclusion of 20 pages of supplemental material, showcasing the research that went into this book, seems overly extensive.
An often enjoyable story of a brave girl’s journey with a well-developed setting and characters.Pub Date: May 1, 2022
ISBN: 978-1-73696-733-1
Page Count: 278
Publisher: Lilith House Press
Review Posted Online: March 28, 2022
Kirkus Reviews Issue: May 1, 2022
Review Program: Kirkus Indie
PERSPECTIVES
An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.
When a photo booth–type machine in the grocery store starts spitting out predictions of people’s true callings, the residents of Deerfield, Louisiana, are deeply affected.
“In the way that aspiring novelists might like to imagine their work someday being discussed in a sophomore literature class…or the way philosophers like to chart the evolution of thought from Socrates to Plato to Jay-Z…Douglas also liked to imagine himself one day becoming part of some traceable lineage.” Douglas Hubbard, a happily married high school history teacher, has a fantasy of becoming a famous jazz trombone player. He’s even signed up for lessons. Unlike the other dreamers in his little town, he came up with this idea all by himself, on his 40th birthday. His wife and many of his neighbors, on the other hand, are carrying around little blue slips of paper produced by a machine called the DNAMIX. They say things like ROYALTY, CARPENTER, LOVER, and MAGICIAN, and because of them the school principal, the mayor, and many others in Deerfield are quitting their jobs, buying costumes, and planning major life changes. There’s something a little strange about Walsh’s follow-up to his remarkable first novel, My Sunshine Away (2015). On one hand, it has a warm, folksy, Fannie Flagg–type feeling, complete with John Prine references galore (the title is one) and a goofy touch of magic. On the other hand, like the author’s debut, it addresses very serious and disturbing issues. It opens with the death of a teenager, as experienced by his twin, and later adds intimations of a school shooting, a gang rape, and a terrible revenge plot. Both aspects are well handled, but do they really go together? When you get a bereaved dad dressed up in a ludicrous cowboy outfit intervening to rescue his son from being gunned down by the police you have to wonder.
An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.Pub Date: Sept. 8, 2020
ISBN: 978-0-7352-1848-2
Page Count: 384
Publisher: Putnam
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
Strangely stuffy and muted.
The little-known story of the Black woman who supervised J. Pierpont Morgan’s storied library.
It's 1905, and financier J.P. Morgan is seeking a librarian for his burgeoning collection of rare books and classical and Renaissance artworks. Belle da Costa Greene, with her on-the-job training at Princeton University, seems the ideal candidate. But Belle has a secret: Born Belle Marion Greener, she is the daughter of Richard Greener, the first Black graduate of Harvard, and she's passing as White. Her mother, Genevieve, daughter of a prominent African American family in Washington, D.C., decided on moving to New York to live as White to expand her family’s opportunities. Richard, an early civil rights advocate, was so dismayed by Genevieve’s decision that he left the family. As Belle thrives in her new position, the main source of suspense is whether her secret will be discovered. But the stakes are low—history discloses that the career-ending exposure she feared never came. There are close calls. J.P. is incensed with her but not because of her race: She considered buying a Matisse. Anne Morgan, J.P.’s disgruntled daughter, insinuates that Belle has “tropical roots,” but Belle is perfectly capable of leveraging Anne’s own secrets against her. Leverage is a talent of Belle’s, and her ruthless negotiating prowess—not to mention her fashion sense and flirtatious mien—wins her grudging admiration and a certain notoriety in the all-White and male world of curators and dealers. Though instructive about both the Morgan collection and racial injustice, the book is exposition-laden and its dialogue is stilted—the characters, particularly Belle, tend to declaim rather than discuss. The real Belle left scant records, so the authors must flesh out her personal life, particularly her affair with Renaissance expert Bernard Berenson and the sexual tension between Belle and Morgan. But Belle’s mask of competence and confidence, so ably depicted, distances readers from her internal clashes, just as her veneer must have deterred close inquiry in real life.
Strangely stuffy and muted.Pub Date: June 29, 2021
ISBN: 978-0-593-10153-7
Page Count: 352
Publisher: Berkley
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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