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SHE WHO RIDES HORSES

A SAGA OF THE ANCIENT STEPPE: BOOK ONE

An often enjoyable story of a brave girl’s journey with a well-developed setting and characters.

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A teenage girl in ancient times starts a sacred journey to become the first person ever to tame and ride a horse in Barnes’ debut novel.

In this story set in 4000 B.C.E. in what is now southeastern Europe, Naya is the 14-year-old daughter of Potis, the chief of her clan. She chafes against traditional rules, wishing for the freedom that the boys in her tribe are afforded. An encounter with a wild, red filly, which appears to telepathically communicate with her, secures the girl’s belief she’s meant for something more—but she must also convince her family. Her grandmother proclaims the quest Naya’s “soul journey,” but Potis is resistant, realizing that the horses could be a source of both great power and great danger. Naya tracks the herd through the grasslands, but just as she finds them, a young nomad named Aytal accidentally impales her with an arrow. Guilt-ridden, Aytal tends to Naya while his father, Oyuun, and younger brother race to find Naya’s clan. Eager to move the clan before winter, Potis agrees to let Aytal and Oyuun watch over the injured girl with the help of Naya’s mother, Sata; in exchange, Aytal’s brother remains with the clan as a hostage. The bulk of the story centers on Naya’s recovery and reconnection with the filly, Aytal’s sacrifices as atonement, and the forbidden feelings Sata and Oyuun start to have for each other. This impeccably detailed novel illuminates Naya’s journey on the ancient Pontic-Caspian steppe. Barnes skillfully develops key relationships in a manner that will make readers invested in the narrative. She also captures the tentativeness of romance and conflicts between traditions and other strong beliefs. As this is the first book of a planned series, some story elements are only hinted at—including a potential overthrow of Potis and Aytal’s punishment—and the book may have benefited from a bit more resolution. Also, the inclusion of 20 pages of supplemental material, showcasing the research that went into this book, seems overly extensive.

An often enjoyable story of a brave girl’s journey with a well-developed setting and characters.

Pub Date: May 1, 2022

ISBN: 978-1-73696-733-1

Page Count: 278

Publisher: Lilith House Press

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: May 1, 2022

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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