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SHE WHO RIDES HORSES

A SAGA OF THE ANCIENT STEPPE: BOOK ONE

An often enjoyable story of a brave girl’s journey with a well-developed setting and characters.

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A teenage girl in ancient times starts a sacred journey to become the first person ever to tame and ride a horse in Barnes’ debut novel.

In this story set in 4000 B.C.E. in what is now southeastern Europe, Naya is the 14-year-old daughter of Potis, the chief of her clan. She chafes against traditional rules, wishing for the freedom that the boys in her tribe are afforded. An encounter with a wild, red filly, which appears to telepathically communicate with her, secures the girl’s belief she’s meant for something more—but she must also convince her family. Her grandmother proclaims the quest Naya’s “soul journey,” but Potis is resistant, realizing that the horses could be a source of both great power and great danger. Naya tracks the herd through the grasslands, but just as she finds them, a young nomad named Aytal accidentally impales her with an arrow. Guilt-ridden, Aytal tends to Naya while his father, Oyuun, and younger brother race to find Naya’s clan. Eager to move the clan before winter, Potis agrees to let Aytal and Oyuun watch over the injured girl with the help of Naya’s mother, Sata; in exchange, Aytal’s brother remains with the clan as a hostage. The bulk of the story centers on Naya’s recovery and reconnection with the filly, Aytal’s sacrifices as atonement, and the forbidden feelings Sata and Oyuun start to have for each other. This impeccably detailed novel illuminates Naya’s journey on the ancient Pontic-Caspian steppe. Barnes skillfully develops key relationships in a manner that will make readers invested in the narrative. She also captures the tentativeness of romance and conflicts between traditions and other strong beliefs. As this is the first book of a planned series, some story elements are only hinted at—including a potential overthrow of Potis and Aytal’s punishment—and the book may have benefited from a bit more resolution. Also, the inclusion of 20 pages of supplemental material, showcasing the research that went into this book, seems overly extensive.

An often enjoyable story of a brave girl’s journey with a well-developed setting and characters.

Pub Date: May 1, 2022

ISBN: 978-1-73696-733-1

Page Count: 278

Publisher: Lilith House Press

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: May 1, 2022

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THE DJINN WAITS A HUNDRED YEARS

A ghost story, a love story, a mystery—this seductive novel has it all.

A haunted house full of haunted people is the setting for this lively, moving tale.

When 15-year-old Sana Malek and her widowed father move from Johannesburg, South Africa, to Durban in 2014, they land in a once-glorious mansion overlooking the sea, now a ramshackle rooming house presided over by a kindly old man called Doctor. Sana is familiar with ghosts, having been haunted all her life by the spiteful ghost of her previously conjoined twin sister, who died soon after they were separated. So she recognizes that the house teems with them. She forms tentative bonds with some of the place’s corporeal residents, a group of contentious older women. But she’s more interested in the departed, and she begins to unravel their stories, especially when she finds a long-locked bedroom with diaries and photos that are evidence of a couple in love. In 1919, we learn in the book’s second timeline, a dashing, wealthy young Muslim man named Akbar Ali Khan left his village in Gujarat. Eventually he settled in Durban, following an arranged marriage in India with his modern Anglophile wife, Jahanara Begum. They have a son and daughter, but their marriage never warms, despite the spectacular house and gardens he builds for them. Then he does fall in love, with a Tamil girl hired to work in his sugar factory. Meena rejects him, but he takes her as another wife anyway, patiently winning her over until their love catches fire. Akbar isn’t the only one in love with Meena; the djinn of the title, an ancient creature weary of the world, is enchanted. But Jahanara’s bitter jealousy of Meena will lead them all to a terrible fate. Almost a century later, Sana will put it all together—but will that bring catastrophe? Khan’s prose is lush and lovely, her pacing skillful, and she successfully weaves a complex plot with a large cast.

A ghost story, a love story, a mystery—this seductive novel has it all.

Pub Date: Jan. 9, 2024

ISBN: 9780593653456

Page Count: 320

Publisher: Viking

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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