This stand-alone fantasy blends classic horse-racing tropes with political fantasy and even a dash of Pokémon.
Those who live in the Becar Empire know that reincarnation exists. Those who are purest become augurs, able to read the past, present, and future of a person's soul; good people are reincarnated as humans; those with more flaws spend their next incarnation as animals; and the irredeemable sinners spend eternity incarnating as kehoks, vicious, mindless, chimerical monsters. Kehoks cannot be tamed, but daring riders can control them mentally through force of will and race them while risking dismemberment and death both from their competitors and their own mounts. Former grand champion–turned–disgraced trainer Tamra Verlas needs a winning kehok-rider pair who will garner her the gold necessary to retain custody of her daughter. Raia hopes that a new life as a rider will allow her to hide from her parents, who have affianced her to a rich but cruelly dominating man. And the metallic lion kehok she learns to race seems to have his own ambitions and intelligence beyond his apparently brutish nature. Meanwhile, Becar roils with uncertainty, because Prince Dar cannot succeed his late older brother, Zarin, as emperor until he locates his predecessor’s current incarnation, even as the neighboring realm of Ranir threatens invasion. Of course, these plot elements dovetail in exactly the way you’d expect, but that doesn’t mean that the race to victory isn’t charmingly crafted and extremely enjoyable. Durst (The Deepest Blue, 2019, etc.) offers her patented mix of solid worldbuilding, characters with determination and heart, and a jab of violence to ensure that the result never cloys. Fans of Tamora Pierce’s strong female protagonists will also appreciate the tribute that Durst pays her in the acknowledgments, the character name “Tamra,” and the storytelling.
If mostly lacking surprises, still guaranteed to check the boxes for fans of fantasy and horse-riding novels.Pub Date: March 19, 2020
ISBN: 978-0-06-288861-7
Page Count: 544
Publisher: Harper Voyager
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
Categories: GENERAL SCIENCE FICTION & FANTASY | FANTASY | EPIC FANTASY
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
10
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
An almost-but-not-quite-great slavery novel.
12
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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.
In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.
An almost-but-not-quite-great slavery novel.Pub Date: Sept. 24, 2019
ISBN: 978-0-399-59059-7
Page Count: 432
Publisher: One World/Random House
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: July 15, 2019
Categories: GENERAL SCIENCE FICTION & FANTASY | HISTORICAL FICTION | FANTASY | HISTORICAL FANTASY
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