For visual learners, this is a particularly accessible demonstration of an intriguing concept.
Through examples of what fractals are and what they aren’t, this photo essay introduces a complex mathematical idea in a simple, inviting way.
Using a straightforward text and eye-catching photographs, the Campbells start with the familiar: spheres, cones, cylinders—shapes readers can find and readily name in their environments. But then they move on to the more elaborate forms: a head of broccoli, the flower of a Queen Anne’s lace, a tree. In 1975, Benoit Mandelbrot gave a name to natural shapes with smaller parts that look like the whole shape. He called them fractals. Photographs of whole and divided flower and broccoli heads, set on plain backgrounds, demonstrate how smaller parts repeat the shape of the whole. A double-page spread of forked lightning shows another example. Even mountain ranges are made of smaller mountains. Further, smaller images remind readers that the shapes can be called fractals only if the repeating parts diminish in size. In conclusion, the author of Growing Patterns (2010) provides instructions for drawing the interesting fractal pattern that surrounds each page number. An afterword by mathematician Michael Frame offers more information about Mandelbrot and introduces the possibility of a real-world application of this abstract idea: invisibility cloaks!
For visual learners, this is a particularly accessible demonstration of an intriguing concept. (Informational picture book. 5-9)Pub Date: April 1, 2014
ISBN: 978-1-62091-627-8
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
BOOK REVIEW
Eye candy and intellectual nourishment alike for newly independent readers.
A classic informational early reader gets a substantial, long-overdue update.
Kirkus criticized the 1985 edition for conveying outdated and misleading information—chivalrously leaving the stodgy colored-pencil illustrations unmentioned. All of that has been addressed here. Revised by the late Milton’s brother Kent, the text highlights or at least names over a dozen dinos, from the diminutive Citipati to the humongous Argentinosaurus, “as big as a house, longer than three buses, and as heavy as thirteen elephants!” Prehistoric contemporaries that were not dinosaurs also get nods, as do modern paleontology, the great extinction and the continued survival of birds: “So the dinosaur days go on.” Tempesta’s cover painting of a brightly patterned Triceratops being attacked by a T. Rex with a feathery spinal fringe opens a suite of equally dramatic group and single portraits. They feature mottled monsters viewed from low angles to accentuate their massiveness and reflect current thinking about feathers and coloration.
Eye candy and intellectual nourishment alike for newly independent readers. (Informational early reader. 6-8)Pub Date: July 22, 2014
ISBN: 978-0-385-37923-6
Page Count: 48
Publisher: Random House
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
Sweet art, cloying storyline.
Actor Andrews and her daughter Walton Hamilton pay tribute to the power of music.
The inhabitants of a small village are happy with “simple pleasures” until they commercialize to attract tourists…whereupon a dismal purple mist creeps in and thickens to the point that people stop visiting or even going outside. Then one day little Piccolino, who is helping his father dust the deserted opera house, plinks out a tune on the piano…and notices that the palms in the lobby look fresher. The brown-skinned pair proceed to gather wilting houseplants from all over town, park them in the auditorium seats, and call the orchestra members in for a concert. The plants flourish, the fog lifts, and throngs of villagers are drawn out into the streets by the music to dance and sing. Everyone realizes that “if they remained faithful to all that matters most, nothing could darken their days again.” In a closing note the authors state that they were inspired by an actual concert played in Barcelona in 2020 to an “audience” of plants—a piece of performance art more likely to stimulate discussion than this trite, sugary mess. The illustrations are one bright spot: MacKay places her gracefully posed, diverse figures in luminously hued scenes of narrow streets and neatly kept buildings perched on a steep hill and threaded with musical staves. (This book was reviewed digitally.)
Sweet art, cloying storyline. (Picture book. 6-8)Pub Date: Sept. 12, 2023
ISBN: 9781419763199
Page Count: 40
Publisher: Abrams
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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