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DINOSAUR DAYS

From the Step Into Reading series

Eye candy and intellectual nourishment alike for newly independent readers.

A classic informational early reader gets a substantial, long-overdue update.

Kirkus criticized the 1985 edition for conveying outdated and misleading information—chivalrously leaving the stodgy colored-pencil illustrations unmentioned. All of that has been addressed here. Revised by the late Milton’s brother Kent, the text highlights or at least names over a dozen dinos, from the diminutive Citipati to the humongous Argentinosaurus, “as big as a house, longer than three buses, and as heavy as thirteen elephants!” Prehistoric contemporaries that were not dinosaurs also get nods, as do modern paleontology, the great extinction and the continued survival of birds: “So the dinosaur days go on.” Tempesta’s cover painting of a brightly patterned Triceratops being attacked by a T. Rex with a feathery spinal fringe opens a suite of equally dramatic group and single portraits. They feature mottled monsters viewed from low angles to accentuate their massiveness and reflect current thinking about feathers and coloration.

Eye candy and intellectual nourishment alike for newly independent readers. (Informational early reader. 6-8)

Pub Date: July 22, 2014

ISBN: 978-0-385-37923-6

Page Count: 48

Publisher: Random House

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: April 15, 2014

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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FLIP-O-STORIC

Sturdy split pages allow readers to create their own inventive combinations from among a handful of prehistoric critters. Hard on the heels of Flip-O-Saurus (2010) drops this companion gallery, printed on durable boards and offering opportunities to mix and match body thirds of eight prehistoric mammals, plus a fish and a bird, to create such portmanteau creatures as a “Gas-Lo-Therium,” or a “Mega-Tor-Don.” The “Mam-Nyc-Nia” places the head of a mammoth next to the wings and torso of an Icaronycteris (prehistoric bat) and the hind legs of a Macrauchenia (a llamalike creature with a short trunk), to amusing effect. Drehsen adds first-person captions on the versos, which will also mix and match to produce chuckles: “Do you like my nose? It’s actually a short trunk…” “I may remind you of an ostrich, because my wings aren’t built for flying…” “My tail looks like a dolphin’s.” With but ten layers to flip, young paleontologists will run through most of the permutations in just a few minutes, but Ball’s precisely detailed ink-and-watercolor portraits of each animal formally posed against plain cream colored backdrops may provide a slightly more enduring draw. A silhouette key on the front pastedown includes a pronunciation guide and indicates scale. Overall, a pleasing complement to more substantive treatments. (Novelty nonfiction. 6-8)

Pub Date: May 1, 2011

ISBN: 978-0-7892-1099-9

Page Count: 22

Publisher: Abbeville Kids

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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