by Sarah Chayes ‧ RELEASE DATE: Jan. 19, 2015
Scattershot but often insightful, disquieting reading for policymakers.
Former NPR reporter and current Carnegie Foundation associate Chayes (The Punishment of Virtue: Inside Afghanistan After the Taliban, 2006) offers an alarming account of the role played by acute government corruption in fostering violent extremism.
The systemic corruption in Afghanistan will hardly surprise informed readers, but its extent and enormous adverse impact on American efforts there (and in other failed states) are “remarkably underappreciated.” In her 10 years as a reporter and entrepreneur in Afghanistan, the author found that the government existed only to enrich the ruling elite. Within the carefully structured kleptocracy, money flowed upward via gifts, kickbacks and the purchase of positions. In return, those making payments were granted protection or permission to extract resources. Drawing on her intimate knowledge of Afghan life, Chayes argues convincingly that resentment over flagrant corruption drove many citizens to turn against the government and join the insurgency. At the same time, while pursuing flailing efforts to stem corruption (Chayes was an adviser on the issue), the U.S. passed millions of dollars to President Hamid Karzai (through the CIA), thereby enabling Afghanistan’s kleptocracy. The author meanders considerably between her insightful observations as a reporter, as an NGO leader dedicated to rebuilding Afghanistan and as a participant in fruitless U.S. efforts to halt government corruption. Chayes weaves in many relevant quotations from Machiavelli, Erasmus and other Renaissance “mirror writers” who advised rulers to listen to their subjects and avoid acute public corruption that could destabilize the realm. She also shows how loss of confidence in corrupt rulers prompted the Arab Spring and revolts elsewhere. Much of her material is telling, but many readers will be annoyed by Chayes’ tendency to jump around between countries and between events of the past and present. The author suggests remedies for dealing with acute corruption, noting that the political courage to act is often lacking.
Scattershot but often insightful, disquieting reading for policymakers.Pub Date: Jan. 19, 2015
ISBN: 978-0393239461
Page Count: 288
Publisher: Norton
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Linda Gordon ‧ RELEASE DATE: Sept. 14, 1994
A scholarly but resonant analysis of ``the cultural meanings of the welfare system,'' probing the mistaken assumptions behind fundamental policies forged during the 1930s. Beginning in 1890, writes Gordon (History/Univ. of Wisconsin), single mothers were portrayed as a symptom and cause of social decay; unlike today, however, the situation was seen as a temporary misfortune that usually befell white immigrants, often widows. Middle-class women's groups helped to create ``mother's aid'' for the deserving poor; the author calls this policy (a forerunner of the current Aid to Families with Dependent Children, or AFDC, program) ``maternalist,'' rooted in the subordination of women in domestic roles. But there were other points of view: Black women activists, notes Gordon (Woman's Body, Woman's Right, 1976), had less distance from those they wished to aid; they emphasized universal education and health programs rather than charity. The thinkers behind Social Security, all white and nearly all male, focused their lens on money and jobs for men, even though they knew it was a fallacy to consider men the sole supporters and protectors of women. During the New Deal, social movements ``valorized'' the elderly and unemployed, ignoring single mothers; the women's movement was quiet, and the lack of African-American political power meant that blacks' views on welfare were ignored. Gordon argues that the Social Security Act of 1935 created generous programs for the elderly and unemployed that operated under a single, federal standard; she cites a range of factors, including accommodations for southern employers and bureaucratic infighting, leading to the stratified, state-administered Aid to Dependent Children (later AFDC). Gordon doesn't enter the current policy debate, but she does note trenchantly that in order to fight inequality we must make such entitlements as corporate tax breaks and home mortgage deductions as ``visible as welfare.'' The arguments get complicated, but this is challenging history—and a goad to clarify modern-day rhetoric.
Pub Date: Sept. 14, 1994
ISBN: 0-02-912485-9
Page Count: 300
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Anne Hollander ‧ RELEASE DATE: Sept. 9, 1994
Art historian Hollander tries to set the record straight about the ``tyranny'' of fashion and to clear its bad name, making a reasonably strong case but offering a surprisingly lifeless account in the process. Hollander (Moving Pictures, 1989, etc.) spends most of the book establishing modern masculine sartorial superiority, setting up the contrast between the men's suit, with its brilliant design- -serious, sexy, timeless—and what, until this century, was mere ephemeral female fashion frippery. From the 1600s until the early 1900s, women's dress became increasingly theatrical and decorative, and received more attention from society (i.e., men), while men's dress set the classical standard. Obscuring female form and motion with tiny waists and voluminous skirts, women's clothing earned fashion the reputation of being manipulative and deceptive. Hollander asserts, to the contrary, that fashion is an ``imaginative art.'' Only in the early 20th century, however, did women's fashion become realistic and dignified. The introduction of short skirts after WW I gave coherence to the female form (and made exposing legs, and thus the wearing of pants, possible). It is just recently, Hollander argues, that female dress has begun to set any significant standards for Western fashion: ``Women finally took over the total male scheme of dress, modified it to suit themselves, and have handed it back to men charged with immense new possiblities.'' Sex and Suits has several major weaknesses, however. Most frustrating, given the book's historical scope (from the Greeks to the Gap), is the profusion of generalizations (``In general, people have always worn what they wanted to wear; fashion exists to keep fulfilling that desire'') and occasional preposterous pronouncements resulting from her attempt to divorce shifts in fashion from social forces. Also, her take on the relationship between gender and contemporary fashion is dated. Still, despite its un-hip feel, a coherent defense of fashion's integrity. (45 b&w photos, not seen)
Pub Date: Sept. 9, 1994
ISBN: 0-679-43096-2
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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