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CARELESS PEOPLE

MURDER, MAYHEM, AND THE INVENTION OF THE GREAT GATSBY

Prodigious research and fierce affection illumine every remarkable page.

The Great Gatsby floats on a limpid river fed by myriads of autobiographical, cultural and historical tributaries.

Churchwell (American Literature and Public Understanding of the Humanities/Univ. of East Anglia; The Many Lives of Marilyn Monroe, 2004, etc.) has written an excellent book on a novel that remains a favorite in English courses in American high schools and colleges. Surprisingly, she even manages to find fresh facts that escaped previous scholars, including one of F. Scott Fitzgerald’s own published comments about his novel, a book that, as Churchwell notes, neither sold well nor received uniformly favorable reviews. Churchwell weaves together a variety of strands: a summary of the novel (including its earlier drafts), a biographical account of the years Fitzgerald was working on the novel (including the time he and Zelda were living and partying in Great Neck, near the novel’s setting), and an account of a sensational New Jersey murder case in 1922 (the year that Gatsby takes place), an investigation that resulted in arrests and a trial but no convictions. Churchwell also digs deeply into the architecture of the novel—looking, for example, for the relevance of specific details Fitzgerald mentions. She also examined Simon Called Peter, a novel that Nick Carraway picks up early in Gatsby; she read countless New York newspaper and magazine files looking for items in 1922 that may have found their way into the novel (car wrecks, wild parties and the like). She haunted the rich Fitzgerald archives at Princeton and elsewhere and, employing the clarity of hindsight, chides most of the early critics who missed what Fitzgerald was up to. At times, Churchwell attempts Fitzgerald’s lyrical style—one chapter-ending sentence alludes to “the vagrant dead as they scatter across our tattered Eden”—she’s earned the right to play on his court.

Prodigious research and fierce affection illumine every remarkable page.

Pub Date: Jan. 27, 2014

ISBN: 978-1-59420-474-6

Page Count: 432

Publisher: Penguin Press

Review Posted Online: Oct. 19, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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FIVE DAYS IN NOVEMBER

Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Jackie Kennedy's secret service agent Hill and co-author McCubbin team up for a follow-up to Mrs. Kennedy and Me (2012) in this well-illustrated narrative of those five days 50 years ago when President John F. Kennedy was assassinated.

Since Hill was part of the secret service detail assigned to protect the president and his wife, his firsthand account of those days is unique. The chronological approach, beginning before the presidential party even left the nation's capital on Nov. 21, shows Kennedy promoting his “New Frontier” policy and how he was received by Texans in San Antonio, Houston and Fort Worth before his arrival in Dallas. A crowd of more than 8,000 greeted him in Houston, and thousands more waited until 11 p.m. to greet the president at his stop in Fort Worth. Photographs highlight the enthusiasm of those who came to the airports and the routes the motorcades followed on that first day. At the Houston Coliseum, Kennedy addressed the leaders who were building NASA for the planned moon landing he had initiated. Hostile ads and flyers circulated in Dallas, but the president and his wife stopped their motorcade to respond to schoolchildren who held up a banner asking the president to stop and shake their hands. Hill recounts how, after Lee Harvey Oswald fired his fatal shots, he jumped onto the back of the presidential limousine. He was present at Parkland Hospital, where the president was declared dead, and on the plane when Lyndon Johnson was sworn in. Hill also reports the funeral procession and the ceremony in Arlington National Cemetery. “[Kennedy] would have not wanted his legacy, fifty years later, to be a debate about the details of his death,” writes the author. “Rather, he would want people to focus on the values and ideals in which he so passionately believed.”

Chronology, photographs and personal knowledge combine to make a memorable commemorative presentation.

Pub Date: Nov. 19, 2013

ISBN: 978-1-4767-3149-0

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Sept. 20, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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GRATITUDE

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...

Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).

In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”

If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.

Pub Date: Nov. 24, 2015

ISBN: 978-0-451-49293-7

Page Count: 64

Publisher: Knopf

Review Posted Online: Oct. 31, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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