A riveting pugilistic must-read.

GRAVITY

A 16-year-old boxer dreams of winning Olympic gold.

Gravity Delgado (half Dominican and half Jewish) feels like she has been fighting and breaking things her whole life. However, since joining PLASMAFuel Cops ’n Kids boxing gym in Brooklyn four years ago, she has channeled her fighting spirit toward a single goal: boxing in the 2016 Summer Olympics. As Gravity arduously trains for Rio, she grapples with different parts of her identity. On the one hand, her absent father’s Dominican family provides comfort and a safe haven from the abuse and neglect her drunk mother inflicts on Gravity and her younger brother, Tyler. On the other, praying a shema before every fight tethers her to her mother’s faith. A diverse set of characters populates the boxing world Gravity inhabits, including a Ukrainian brother and sister, wheelchair user Coach Thomas, Haitian American fellow boxer D-Minus, and Kimani, a kind, large, dark-skinned man who is painfully aware of the racism in people’s fearful responses to him. Deming’s (contributor: Viticulture & Vinification, 2013, etc.) own amateur boxing career and knowledge as a boxing correspondent are clearly evident in her masterful descriptions of the grueling training process and intense bouts. Readers will immediately stand in Gravity’s corner as she battles distractions and fights against the odds in pursuit of her dreams.

A riveting pugilistic must-read. (Fiction. 14-18)

Pub Date: Nov. 12, 2019

ISBN: 978-0-525-58103-1

Page Count: 400

Publisher: Make Me a World

Review Posted Online: July 21, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Did you like this book?

No Comments Yet

Riveting, brutal and beautifully told.

Reader Votes

  • Readers Vote
  • 20

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

Did you like this book?

No Comments Yet
more