Delightful—and not the least bit troublesome.

DOUBLE TROUBLE

Twins go in search of trouble—and find it!

The text doesn’t assign Ellis and Erin pronouns but does identify them as twins. The siblings have light-brown skin, and Ellis wears glasses and has short, curly, dark hair; Erin’s hair is the same color but straighter and longer. These differences in appearance will help readers keep the twins straight as they cause playful chaos in their search for “trouble.” To no avail, they “rummage through the bags and boxes in the garage” and look for “trouble” at the bottom of trash bins and up a big tree. Splashing in a mud puddle brings glee and perhaps an assumption on readers’ parts that this muddy mess is, at last, where the twins “find trouble.” But they continue their search only to dejectedly go inside, “disappointed they couldn’t find trouble.” Dyer’s bright, lively collage art shows the children, dirty and disheveled, tracking mud and detritus into the house, which may again prompt readers to shake their heads knowingly—clearly these children have found trouble, whether they think so or not. But a twist ending, textually reliant on an avoidance of capitalizing Trouble as a proper noun in prior pages, reveals that Trouble is the name of the children’s cat. They find her in a satisfying culmination of their (perhaps) inadvertently mischievous search.

Delightful—and not the least bit troublesome. (Picture book. 3-6)

Pub Date: March 24, 2020

ISBN: 978-1-84976-659-3

Page Count: 32

Publisher: Tate/Abrams

Review Posted Online: Jan. 21, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Did you like this book?

No Comments Yet

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

Did you like this book?

No Comments Yet

WITH ALL MY HEART

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

Did you like this book?

No Comments Yet
more