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DOUBLE TROUBLE

Delightful—and not the least bit troublesome.

Twins go in search of trouble—and find it!

The text doesn’t assign Ellis and Erin pronouns but does identify them as twins. The siblings have light-brown skin, and Ellis wears glasses and has short, curly, dark hair; Erin’s hair is the same color but straighter and longer. These differences in appearance will help readers keep the twins straight as they cause playful chaos in their search for “trouble.” To no avail, they “rummage through the bags and boxes in the garage” and look for “trouble” at the bottom of trash bins and up a big tree. Splashing in a mud puddle brings glee and perhaps an assumption on readers’ parts that this muddy mess is, at last, where the twins “find trouble.” But they continue their search only to dejectedly go inside, “disappointed they couldn’t find trouble.” Dyer’s bright, lively collage art shows the children, dirty and disheveled, tracking mud and detritus into the house, which may again prompt readers to shake their heads knowingly—clearly these children have found trouble, whether they think so or not. But a twist ending, textually reliant on an avoidance of capitalizing Trouble as a proper noun in prior pages, reveals that Trouble is the name of the children’s cat. They find her in a satisfying culmination of their (perhaps) inadvertently mischievous search.

Delightful—and not the least bit troublesome. (Picture book. 3-6)

Pub Date: March 24, 2020

ISBN: 978-1-84976-659-3

Page Count: 32

Publisher: Tate/Abrams

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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