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At the end of this well-crafted novella, when 13-year-old Polly and her mother finally share a companionable meal and level with each other, Polly compares the game in Ellis's title with her new insight into their relationship: ``You pull out one stick and the balance shifts and the whole pattern changes.'' Mum has just confided that, even before Polly was conceived, she understood that she didn't want to be married but she did want to bear and raise a child; and though the story has turned on their temporary estrangement, it's clear that the two constitute a richly individual family strengthened by their mutual regard. The rift is precipitated by their eviction from their low- rent home. Anxious and exasperated by Mum's sporadic attempts to find a new place, Polly opts to stay with Mum's brother and his family while Mum moves into the studio where she supports them by making stained glass. Affluent Uncle Roger provides his family with plenty of material things, but at his house there's none of the warm interaction that has nurtured Polly; a terrifying outing with her teenage cousin, which turns out to be a shoplifting and vandalism spree, quickly sends Polly back to a reconciliation with her mother. Crass Uncle Roger and his self-indulgent wife and daughter are one-dimensional foils for Polly, but other characters— including a sweet, retarded adult friend—are the kind of unique, well-rounded personalities readers expect from this fine Canadian author (A Family Project, 1988). A memorable portrait of a mother and daughter maturing and growing closer as the result of a challenging experience. (Fiction. 11-15)

Pub Date: March 31, 1992

ISBN: 0-689-50550-7

Page Count: 124

Publisher: McElderry

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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GRANDPA'S GAMBLE

A young brother and sister can’t understand why their grandfather prays all the time, instead of telling them exciting stories about his past. When he finally explains his habits, they hear Grandpa Sam’s riveting tale, of the poverty and discrimination that forced him to leave his family and Poland, of emigrating to the US to find a new life, of scarce jobs, and of his decision to gamble for a living. He bought a home and raised a family, doing well until the day his wife became ill. The fear of losing her prompted his last bet—with God, to save his wife’s life—to trade in gambling for a life of prayer. Michelson’s story is both personal and universal, highlighting the discovery of family histories and hidden lives in people who are so much a part of every day. Moser’s skilled sepia illustrations add an intimate touch to this poignant tale. (Picture book. 7-10)

Pub Date: March 1, 1999

ISBN: 0-7614-5034-3

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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AUNT MINNIE MCGRANAHAN

Prigger bases her engaging debut on an incident in her own family. The setting is 1920, so Minnie can’t be considered obsessive-compulsive; instead, she’s a woman with a system for keeping things shipshape and just so. Her farmhouse is trim and neat, as is her garden and barn. Her neighbors snipe that it’s a good thing that Minnie, a spinster, has no children, who would surely interfere with her system. Then the telegram arrives: “Come quick. Your brother and his wife have had an accident. Their children are orphans in need of a home.” Aunt Minnie goes and gathers the children, all nine of them, in a thrice. The neighbors look on with amazement (as will readers) when all the potential for pandemonium is breezily absorbed into Aunt Minnie’s system: “The oldest looked after the youngest. The ones in the middle looked after each other. And Aunt Minnie looked after them all.” Tweak this template a little, and it works for grocery shopping, housework, bathing, and going to the johnny house. There are episodes of stubbornness and fretting, dawdling, pouting, and crying; there is also noise, music, laughter, and hugging, all captured with elemental clarity and a visual caress in Lewin’s watercolors. This story is a sweet and simple song of grace, love, and responsibilities met; it will leave children aglow and adults in tears. (Picture book. 4-8)

Pub Date: March 22, 1999

ISBN: 0-395-82270-X

Page Count: 40

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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