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AUNT MINNIE AND THE TWISTER

Name: AUNT MINNIE AND THE TWISTER
Author: Mary Skillings Prigger
ISBN: 0-618-11136-0

by Mary Skillings Prigger & illustrated by Betsy Lewin ‧ RELEASE DATE: April 22, 2002

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Aunt Minnie is back, and if this time her story seems a bit rudderless, she is no less the epitome of good sense and protectiveness. Her nine charges, children of her late brother and his late wife, are getting bigger and the house is getting smaller, but as Minnie observes, “Well, we don’t have much room—but we have each other.” Readers learn how Minnie uses a great clanging bell to get her nieces’ and nephews’ attention. And that in the spring they use one of Minnie’s dresses on a scarecrow to frighten the crows; in summer, they bottle their vegetable harvest for the coming winter—Minnie abides as a systematic force. In the autumn, they make apple butter and apple cider and stow the storable vegetables in the root cellar. Boy do those veggies taste good in the dead of winter, and boy are they glad they have that root cellar—snakes, toads, and all—when the next spring a tornado drops in for a visit. Plum spins their house right on its axis, which serves as an occasion for them to build that necessary addition (“We can’t have the front door looking straight out yonder at the johnny house”). Perhaps a few too many topics get covered, and maybe the tornado scene is a bit too frantic, even for a tornado. But Lewin’s (A House Full of Christmas, 2001, etc.) watercolors are studies in warm domesticity, and Aunt Minnie continues as an Old Soul, teaching by example and ready with the comforting touch. (Picture book. 4-8)

Pub Date: April 22, 2002

ISBN: 0-618-11136-0

Page Count: 40

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

Categories:

CHILDREN'S GENERAL CHILDREN'S

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A DOG NAMED SAM

by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996

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A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

Categories:

CHILDREN'S GENERAL CHILDREN'S

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HOME

by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015

Visually accomplished but marred by stereotypical cultural depictions.

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Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)