Both reassuring for those with diabetes and educational for those around them.
Follow along on Maddie’s first day back at school after a diagnosis of Type 1 diabetes.
Maddie is understandably nervous; she’s had a lot to learn and process. The very first page explains Type 1 diabetes: “Her body stopped making insulin, which turns sugar in food into energy.” And on the next spread, readers see Maddie using her insulin pump and continuous glucose monitor and explaining them (in fairly adult language) to her younger brother. Packing for school is a bit complicated, what with the extra snacks and juice and backups for her monitor. Being prepared for her classmates’ questions is another matter. Her friend Brianna’s sister has diabetes, so she can answer many of the kids’ questions, much to Maddie’s relief. And Luis, whose grandfather has the disease, stands up for her when she needs a juice in art class and prompts her to cover up her CGM at a soccer game to avoid more questions. Di Gravio’s illustrations capture emotions clearly, from Maddie’s uncertainty and Brianna’s matter-of-fact support to the curiosity, jealousy, and tendency to think the worst displayed by some of Maddie’s diverse classmates. Maddie and her family are light skinned, Brianna has dark skin, and Luis is Latinx. Marsh’s note describes her own connection to diabetes and her wish that no one should feel as though they are dealing with it alone.
Both reassuring for those with diabetes and educational for those around them. (Picture book. 4-8)Pub Date: April 1, 2020
ISBN: 978-0-8075-4703-8
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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PERSPECTIVES
A shell of a good time.
Why did the snail cross the road? Cabbage. How? That’s another story.
While “scooting around” one day, Snail spots a field of scrumptious cabbage on the other side of a dangerous road. The self-assured gastropod approaches the obstacle with a can-do attitude: “Well, you won’t stop me!” After traveling for some time—and generating a glistening trail of slime—Snail decides to take a break. Just then, a vehicle in the distance zooms closer. Snail narrowly avoids it. Further perils and delays arise, but the “cabbage bound” hero slimes his way out of them all. Despite all the stress, Snail keeps it kind: He invites a “troop of rowdy ants” inside his shell (and his vintage-decorated living room) to take shelter from the rain. But between the tea and other distractions, will Snail ever make it to his lunch? Though snail-centric, Tabor’s story is far from snail’s pace: Deft shifts between double- and single-page spreads and other visual cues heighten the drama of the fraught adventure. The cartoon illustrations digitally combine pencil, watercolor, and ink to create beautiful textures. Careful readers may see a visual mismatch between the more-detailed spreads and those set against a white background (e.g., how big is Snail’s shell home anyway?). Still, Tabor (of 2019 Geisel-winning Fox the Tiger fame) shines; his clever reversal of expectations will replace any skepticism with a fit of giggles.
A shell of a good time. (Picture book. 4-8)Pub Date: Feb. 4, 2020
ISBN: 978-0-06-287800-7
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Looking for a spud-tacular read? Starch here.
Can a couch potato peel themself off their beloved, comfortable couch?
John and Oswald’s titular spud certainly finds it very hard to do so. Why should they leave their “comfy, cozy couch” when everything that’s needed is within reach? Their doodads and gadgets to amuse and entertain, their couch’s extendable gloved hands to grab food from the kitchen, and screens upon screens to watch their favorite TV shows (highlights: MadYam, Fries), play their favorite video games, and livestream their friends. Where’s the need to leave the living room? Then…“PEW-WWWWWWW”! The electricity goes out one day. Left without screens and gizmos, the couch potato decides to take dog Tater “for a walk…outside,” where the trees and birds and skies seem rich, “like a high-resolution 156-inch curved screen, but even more realistic.” The outdoor experience proves cathartic and freeing, away from those cords that bind, liberating enough to commit this couch potato to spending more time off the couch. Similar to The Bad Seed (2017), The Good Egg (2019), and The Cool Bean (2019) in small-scale scope and moral learning, this latest guidebook to life retains John’s attention to textual goodness, balancing good-humored laughs with a sincere conversational tone that immediately pulls readers in. Naturally, Oswald’s succinct artwork—loaded with genial spuds, metatextual nods, and cool aloofness—continues this loose series’ winsome spirit. No counterarguments here, couch potatoes. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 65.9% of actual size.)
Looking for a spud-tacular read? Starch here. (Picture book. 4-8)Pub Date: Nov. 3, 2020
ISBN: 978-0-06-295453-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
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