by Sarah Graves ‧ RELEASE DATE: Jan. 7, 2003
As before, Graves believes that if one subplot is good, three or four is that much better. If you can forgive all the squibs...
When home repair queen/amateur sleuth Jacobia Triptree (Wreck the Halls, 2001) falls off a ladder while fixing her gutters, the resulting head trauma gives her a case of Benign Positional Vertigo and the conviction that her nosey old neighbor Harriet Hollingsworth has been murdered. Impecunious Harriet has certainly disappeared, leaving behind her house, assorted debts, and one boot, sock inside, in another neighbor’s compost pile. Jake’s conviction of foul play may be less benign than the vertigo, because when Harriet’s body is found, like Poe’s Black Cat, immured behind a wall in her house, sabotage endangers her husband Wade and her son Sam. Jake immediately suspects the man who bought Harriet’s house from the bank—Harry Markle, an ex-cop who claims to have saved Jake as a child from a explosion set by her anarchist father—but Jake’s dog Prill loves Harry. Besides, there are plenty of other suspicious newcomers in tiny Eastport: Jake’s temporary lodger, Roy McCall, who’s directing a music video on location there; Wyatt Evert, a belligerent environmental tour operator who’s lost a client to a fatal accident; and quiet, mysterious Lian Ash, who is repairing Jake’s foundation. The menace to Jake and her family mounts until a final explosion echoes the deadly blast from Jake’s childhood.
As before, Graves believes that if one subplot is good, three or four is that much better. If you can forgive all the squibs and sparklers, the main fireworks provide a show that’s entertaining, however loud and flashy.Pub Date: Jan. 7, 2003
ISBN: 0-553-80229-1
Page Count: 272
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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