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BLACKBERRY WINTER

Those willing to overlook a series of implausible coincidences and wade through spoonfuls of sugar to get to the fairy-tale...

Jio’s third book combines flashbacks with a contemporary romance and mystery set against a freak late-spring snowstorm in Seattle.

Newspaper reporter Claire Aldridge’s recovery from a personal setback has not gone well. She’s struggling at work, and her marriage to the love of her life, Ethan, is crumbling. As the couple appears to be heading for a breakup, Claire is given an assignment to write a feature story about a sudden snowstorm that blankets Seattle in May 2010. The story’s angle is to compare and contrast it to an identical storm that took place on the same day in 1933. While Claire works to find something interesting about the twin storms, she stumbles across the tale of a woman named Vera Ray, whose 3-year-old son, Daniel, disappeared during that 1933 storm. Vera, a decent and beautiful single mother, works at a ritzy hotel cleaning rooms, while trying to feed and clothe her little boy on pennies a day. Down to her last cent and unable to pay her rent, with no one to watch Daniel while she works, Vera leaves him alone in the apartment, but returns only to find him gone. The only clue to his disappearance is Daniel’s beloved teddy bear, found in the snow outside her apartment building. Kicked out of her apartment, she reports him missing to police, who dismiss the child as a runaway. The parallel stories of Claire, whose husband’s wealthy family owns the paper where they both work, and Vera, a down-on-her-luck beauty who stops at nothing while trying to find her child, are told in a compelling, but ultimately implausible method by former journalist Jio, who incorporates an overabundance of coincidence in this tale, all of which serve only to stretch the novel’s believability to the breaking point. Competently written, but the prose runs from saccharin to syrupy.

Those willing to overlook a series of implausible coincidences and wade through spoonfuls of sugar to get to the fairy-tale ending will be rewarded. This novel will enchant Jio’s fans and make them clamor for her next offering.

Pub Date: Sept. 25, 2012

ISBN: 978-0-452-29838-5

Page Count: 320

Publisher: Plume

Review Posted Online: July 30, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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