by Sarah L. Thomson & illustrated by Rob Gonsalves ‧ RELEASE DATE: Feb. 1, 2005
“Imagine a day . . . when the edge of the map is only the beginning of what we can explore.” Like its companion, Imagine a Night (2003), this showcases Gonsalves’s Escher-like, surrealist art, paring oblique captions to a series of transformations. Children step onto, and then into, a map; a high stone bridge dissipates into grey sky while its arches become sailing ships; fence pickets become skyscrapers; pines change into a forest of green-roofed cathedrals; each book on a shelf becomes a doorway to a different scene. There’s no plotline, but the artist populates his precisely detailed paintings with grave-looking adults and children, thus creating a formal air that nicely underscores the general sense of mystery. Viewers who enjoy poring over such painterly imagination-stretchers as Quint Buchholz’s Collector of Moments (1999) or Sarah Perry’s If— (1995) will sink into this, too. (Picture book. 7-10)
Pub Date: Feb. 1, 2005
ISBN: 0-689-85219-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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by Pat Mora & illustrated by Raúl Colón ‧ RELEASE DATE: Aug. 1, 1997
A charming, true story about the encounter between the boy who would become chancellor at the University of California at Riverside and a librarian in Iowa. Tom†s Rivera, child of migrant laborers, picks crops in Iowa in the summer and Texas in the winter, traveling from place to place in a worn old car. When he is not helping in the fields, Tom†s likes to hear Papa Grande's stories, which he knows by heart. Papa Grande sends him to the library downtown for new stories, but Tom†s finds the building intimidating. The librarian welcomes him, inviting him in for a cool drink of water and a book. Tom†s reads until the library closes, and leaves with books checked out on the librarian's own card. For the rest of the summer, he shares books and stories with his family, and teaches the librarian some Spanish. At the end of the season, there are big hugs and a gift exchange: sweet bread from Tom†s's mother and a shiny new book from the librarianto keep. Col¢n's dreamy illustrations capture the brief friendship and its life-altering effects in soft earth tones, using round sculptured shapes that often depict the boy right in the middle of whatever story realm he's entered. (Picture book. 7-10)
Pub Date: Aug. 1, 1997
ISBN: 0-679-80401-3
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
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by Pat Mora ; illustrated by Amber Alvarez
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by Pat Mora ; illustrated by Alyssa Bermudez
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Nathaniel Lachenmeyer ; illustrated by Frank W. Dormer
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by Nathaniel Lachenmeyer ; illustrated by Carlyn Beccia
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by Nathaniel Lachenmeyer & illustrated by Nicoletta Ceccoli
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